In this article, we are going to explore different aspects related to Abou Hassan (story), since this topic is of great relevance today and has a significant impact in various areas. Abou Hassan (story) is a topic that has captured the attention of academics, scientists, political leaders, and the general public, due to its importance in modern society. Throughout the article, we will analyze the different perspectives and approaches that have been taken regarding Abou Hassan (story), as well as its influence in fields as diverse as technology, economics, politics and culture. In addition, we will examine some of the challenges and opportunities that Abou Hassan (story) presents in the contemporary world, with the aim of offering a panoramic and enriching vision of this topic.
This article relies largely or entirely on a single source. (August 2024) |
"Abou Hassan" is one of the stories in the Arabian Nights. It concerns Abú al-Hasan-al-Khalí'a (Abou Hassan), a young merchant of Baghdad who is conveyed while asleep to the palace of Haroun-al-Raschid, and on awakening is made to believe that he is in truth the Caliph.[1] Twice this jest is played upon Abou by the facetious Haroun, who ends by making him his favourite.[1] In English translation the tale is sometimes entitled "The Sleeper Awakened". Burton chose "The Sleeper and the Waker" for his translation.
The story has been frequently dramatised as in Weber's opera Abu Hassan (1811), Abou Hassan or the Sleeper Awakened, by Joseph Tabrar (1885), The Dead Alive (1780) and Abou Hassan or an Arabian Knight's Entertainment, by Arthur O'Neil (1869).[1] It has been more frequently imitated, notably in the induction to The Taming of the Shrew, where Christopher Sly is taken, dead drunk, into a lord's house and waited on when he awakens as if he were the proprietor of the place.[1] There is no reason to believe that Shakespeare was acquainted with The Arabian Nights, however.