In this article, we will explore the topic of Lilikalā Kameʻeleihiwa in depth, addressing its different aspects from a broad and detailed perspective. Over the next few lines, we will analyze in depth the importance and relevance of Lilikalā Kameʻeleihiwa today, as well as its possible impacts in different areas of daily life. To do this, we will examine different points of view, studies and opinions of experts on the subject, with the aim of offering the reader a complete and enriching vision about Lilikalā Kameʻeleihiwa. Throughout this journey, we will immerse ourselves in both its history and its current events, trying to understand its evolution over time and its influence on society.
Lilikalā K. Kameʻeleihiwa is a Hawaiian historian, filmmaker, and senior professor at the University of Hawaiʻi's Kamakakūokalani Center for Hawaiian Studies. Her earliest work was published under the name of Lilikalā L. Dorton.
With a PhD. from University of Hawaii Manoa in Pacific and Hawaiian History, she is also an expert in Hawaiian cultural traditions and in the issues driving the Hawaiian sovereignty movement. She served as a co-scriptwriter of the 1993 award-winning documentary Act of War: The Overthrow of the Hawaiian Nation.
Fluent in the Hawaiian language, she has served as protocol officer and crew for the double hulled Polynesian voyaging canoes Hōkūleʻa and Hawaiʻiloa, and has written the first year-long course in traditional navigation offered at any university in the world. Since 1987, she has written another dozen courses in Hawaiian history, mythology and culture for the Center for Hawaiian Studies.
Currently, she is working on a book on Hawaiian sexuality as reflected in Hawaiian mythology, history, poetry and literature, wherein multiple partners, brother-sister mating, and bisexuality were considered a celebration of life.
In 2005, when for the first time a Grammy was awarded for the separate category "Hawaiian Album of the Year", the winner was the producer of a slack-key guitar anthology, Seattle-born Charles Michael Brotman. Kameʻeleihiwa reportedly told a local television news reporter that the choice of Brotman was a case of "non-Hawaiians honoring a non-Hawaiian for packaging Hawaiian culture".
She also criticized the portrayal of Kamehameha the Great by a non-Hawaiian: