New Arabian Nights
In this article we are going to explore in detail New Arabian Nights, a topic/figure/event that has captured the attention of people from all over the world. New Arabian Nights has long been the subject of fascination and debate, and its influence extends across various areas of society, from politics to entertainment, science and popular culture. Throughout this article, we will take a closer look at the importance and impact of New Arabian Nights, analyzing its relevance in today's world and the role it plays in people's lives. Read on to find out everything you need to know about New Arabian Nights and how it has shaped the world we live in.
 Title page for New Arabian Nights (1882) | |
| Author | Robert Louis Stevenson |
|---|---|
| Language | English |
| Genre | Short stories |
| Publisher | Chatto & Windus |
Publication date | 1882 |
| Publication place | Scotland |
| Media type | Print (Hardback & Paperback) |
| Followed by | More New Arabian Nights: The Dynamiter |
New Arabian Nights by Robert Louis Stevenson, first published in 1882, is a collection of short stories previously published in magazines between 1877 and 1880. The collection contains Stevenson's first published fiction, and a few of the stories are considered by some critics to be his best work, as well as pioneering works in the English-language short story tradition.[1][2]
Structure
New Arabian Nights is divided into two volumes.
Volume 1
The first volume contains seven stories originally called Later-day Arabian Nights and published by London Magazine in serial format from June to October 1878. It is composed of two story groups, or cycles:
Volume 2
The second volume is a collection of four unconnected (standalone) stories that were previously published in magazines:
- "The Pavilion on the Links" (1880), told in 9 mini-chapters
- "A Lodging for the Night" (1877)
- "The Sire De Malétroits Door" (1877)
- "Providence and the Guitar" (1878)
Allusions to other works
The title is an allusion to the collection of tales known as the One Thousand and One Nights, which Stevenson had read and liked. Although Stevenson's stories were set in modern Europe, he was stylistically drawing a connection to the nested structure of the Arabian tales.
As in A Thousand and One Nights, where we have a caliph named Harun the Orthodox, who wanders through the streets of Baghdad in disguise, here in The New Arabian Nights by Stevenson, we have Prince Florizel of Bohemia, who wanders through the streets of London in disguise.
Two eagerly awaited translations of the Arabian Nights, by Richard F. Burton and John Payne, were in the works in the late 1870s and early 1880s, further helping to draw popular attention to Stevenson's "New" title.[4]
Literary significance and criticism
"A Lodging for the Night" was Stevenson's first ever published fiction. In 1890 Arthur Conan Doyle characterized "The Pavilion on the Links" as "the high-water mark of Stevenson's genius" and "the first short-story in the world".[2] Barry Menikoff (1987) considers New Arabian Nights to be the starting point in the history of the English-language short story.[1]
References
- ^ a b Menikoff, Barry (1987), "Class and Culture in the English Short Story", Journal of the Short Story in English 8 (1987), pp. 125-39.
- ^ a b Menikoff, Barry (1990), "New Arabian Nights: Stevenson’s experiment in Fiction", Nineteenth-Century Literature 43 (iii 1990), pp. 339-62.
- ^ Professor Borges: A Course on English Literature. New Directions Publishing, 2013. ISBN 9780811218757. P. 240.
- ^ López-Calvo, Ignacio (24 January 2012). Peripheral Transmodernities: South-to-South Intercultural Dialogues between the Luso-Hispanic World and "the Orient". ISBN 9781443837262.
External links
The full text of New Arabian Nights at Wikisource- New Arabian Nights at Project Gutenberg (plain text and HTML)
- "New Arabian nights". Internet Archive. Retrieved 19 June 2021. (scanned books original editions illustrated)
New Arabian Nights public domain audiobook at LibriVox
