In this article, the impact of Snake (Nolan) on contemporary society will be addressed, analyzing its economic, social and cultural implications. Snake (Nolan) has become a topic of interest for academics, professionals and the general public, due to its relevance in today's world. Throughout the next sections, the evolution of Snake (Nolan) over time, as well as its influence on different aspects of daily life, will be explored. Likewise, the various opinions and positions on Snake (Nolan) will be examined, with the aim of offering a comprehensive and plural vision of this phenomenon.
Snake | |
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Artist | Sidney Nolan |
Year | 1970–72 |
Medium | Ink, dye, and wax crayon on card |
Dimensions | 9.14 m × 45.72 m (30.0 ft × 150.0 ft) |
Location | Museum of Old and New Art, Hobart, Tasmania, Australia |
Snake is an artwork by Australian artist Sir Sidney Nolan. Created between 1970 and 1972, it consists of 1,620 panels arranged so that the images on each panel form a larger image of a snake. It is part of the collection of the Museum of Old and New Art (MONA) in Hobart, Australia.
Nolan is believed to have created the work after "he saw a mural in a Beijing palace that moved him to create an Australian version, inspired by the desert in springtime"
Nolan developed a gestural language for Snake in the same way that most artists work. He composed and executed a little picture, influenced, as we all know, by aboriginals and their art, and New Guineans, and their snake dances. He then painted similar scenes with a quicker hand and fewer gestures, and he repeated this thousands of times, till the paintings were made by muscle memory.
David Walsh, MONA's owner, purchased the work in 2005 for AUD$2m. Walsh modified his initial design for MONA to make space for the work. Before its installation there, Snake was shown in England and Ireland.