The Entertainment Capital of the World

In this article we are going to explore the topic of The Entertainment Capital of the World in depth, analyzing its different aspects and its possible implications. The Entertainment Capital of the World is a topic that has been debated for a long time, and is relevant in various contexts, from the personal to the professional sphere. Throughout this article, we will examine the various perspectives that exist on The Entertainment Capital of the World, as well as its evolution over time. Likewise, we will try to shed light on the possible future implications of The Entertainment Capital of the World and its impact on our society. We hope that this article can provide a broad and comprehensive overview of The Entertainment Capital of the World, helping readers better understand this topic and its implications.

The Entertainment Capital of the World is a nickname that has been applied to several American cities, including:

  • Las Vegas, because of its "broad scope of entertainment options including nightlife, shows, exhibits, museums, theme parks, pool parties, and so on."
  • Los Angeles (or, more specifically, Hollywood), due to the city's radio, television, music, and filmmaking, as well as the abundance of tourist and amusement attractions in the region.
  • New York City (or, more specifically, Broadway), due to the city's theater productions.

In a variation on the phrase, Branson, Missouri, United States, is known as the "Live Entertainment Capital of the World", owing to its array of approximately 50 theaters.

References

  1. ^ John Handley (June 13, 1976). "Las Vegas: A posh playground for adults, a wagering wonderland". Chicago Tribune – via Newspapers.com.
  2. ^ Robin Leach (August 14, 2016). "We are without a doubt the Entertainment Capital of the World". Las Vegas Review-Journal. Retrieved 2019-03-05.
  3. ^ Chi Fung Lam; Jian Ming Luo (2017). Entertainment Tourism. Taylor & Francis. ISBN 9781351668859.
  4. ^ Andrea Baker (2019). The Great Music City. Springer. p. 59. ISBN 9783319963525.
  5. ^ Ehrhard Bahr (2007). Weimar on the Pacific: German exile culture in Los Angeles and the crisis of modernism. University of California Press. p. 1. ISBN 9780520251281.
  6. ^ Scott Armstrong (May 31, 1986). "Hollywood: A comeback is in the script". Times Colonist. Victoria, British Columbia. Christian Science Monitor – via Newspapers.com.
  7. ^ Ray Hebert (November 23, 1970). "Face-lifting for Hollywood studied". Los Angeles Times – via Newspapers.com.
  8. ^ Edward Robb Ellis (2004). The Epic of New York City: A Narrative History. Basic Books. p. 594. ISBN 9780786714360.
  9. ^ Richard Panchyk (2010). New York City Skyscrapers. Arcadia Publishing. ISBN 9781439638620.
  10. ^ Richard Alleman (2013). New York: The Movie Lover's Guide: The Ultimate Insider Tour of Movie New York. Crown/Archetype. p. 95. ISBN 9780804137782.
  11. ^ Connie Farrow (August 1, 2004). "Showtown, U.S.A.: Branson isn't Lawrence Welk anymore". The Press of Atlantic City. AP – via NewsBank.
  12. ^ Lauren Wilcox (March 25, 2007). "Big time in Tune Town". Washington Post. Retrieved 2019-03-05.
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