In the article we present below, we will delve into the topic of À Suivre, exploring its different aspects and its relevance today. À Suivre is a topic that has captured the attention of a wide spectrum of people, from academics and specialists in the field, to individuals interested in understanding its impact on society. Through a detailed and exhaustive analysis, we will seek to unravel its implications and offer a comprehensive vision that allows our readers to better understand this phenomenon. From its origin to its evolution over time, À Suivre has generated debates and controversies that make it a topic of great interest for different areas of research. Join us on this journey of discovery and reflection about À Suivre!
Editor | Jean-Paul Mougin |
---|---|
Categories | Comics magazine |
Frequency | Monthly |
Publisher | Casterman |
First issue | February 1978 |
Final issue Number | December 1997 239 |
Country | Belgium |
Language | French |
À Suivre or A SUIVRE (English translation: "To Be Continued") was a Belgian comics magazine published from February 1978 to December 1997 by the Casterman publishing house. Along with the comic book magazines Spirou, Tintin, Pilote, and Métal hurlant, it is considered to have been one of the major vehicles for the development of Franco-Belgian comics during the 20th century.
À Suivre was established by Casterman publishing house in 1978. The magazine was published on a monthly basis. It presented the work of major European comic book artists including Hugo Pratt, Jean-Claude Forest, Alexandro Jodorowsky, Milo Manara, Masse, Jean (Mœbius) Giraud, Jacques Tardi, François Bourgeon, F'Murr, Ted Benoît, Guido Crepax, Vittorio Giardino, François Schuiten, Benoît Sokal and François Boucq. It was a pioneer in introducing graphic novels.
In the early 1990s, À Suivre was printed almost in full colour.