In today's world, 19th-Century Music is still a topic of great relevance and debate. From its origins to its impact on contemporary society, 19th-Century Music has generated constant interest and raised mixed opinions. Throughout history, 19th-Century Music has been the object of study, reflection and controversy, influencing different aspects of daily life, culture and politics. Whether due to its relevance in the academic field, its impact on society or its importance in popular culture, 19th-Century Music continues to be a topic of interest for people of all ages and backgrounds. In this article, we will delve into the fascinating world of 19th-Century Music and explore its many facets, from its origin to its influence today.
Discipline | Music |
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Language | English |
Edited by | Lawrence Kramer |
Publication details | |
History | 1977–present |
Publisher | University of California Press (United States) |
Frequency | Triannual |
Standard abbreviations | |
ISO 4 | 19th-Century Music |
Indexing | |
ISSN | 0148-2076 (print) 1533-8606 (web) |
LCCN | 77644140 |
JSTOR | 01482076 |
OCLC no. | 8973601 |
Links | |
19th-Century Music is a triennial academic journal that "covers all aspects of Western art music composed in, leading to, or pointing beyond the "long century" extending roughly from the 1780s to the 1930s." It is published by the University of California Press and was established in 1977. The editor-in-chief is Lawrence Kramer.
The journal covers very diverse topics ranging from music of any type or origin to issues of composition, performance, social and cultural context, hermeneutics, aesthetics, music theory, analysis, documentation, gender, sexuality, history, and historiography.