347 Series
In this article, we are going to thoroughly explore the topic of 347 Series and analyze its many facets and possible implications. From its origins to its relevance today, we will dive into an in-depth analysis of 347 Series to understand its impact in different areas. We will address different perspectives and opinions on 347 Series, with the aim of offering a comprehensive and balanced view on this topic. Through this article, we hope to provide our readers with a deeper understanding of 347 Series and promote critical reflection on its importance in our lives.
The 347 Series or 347 Suite is a series of etchings by the Spanish artist Pablo Picasso executed between March 16 and October 8 1968. The work was Picasso's largest in terms of the number of individual prints in the series; and his penultimate large etching series before the 156 Series of 1969-1972. It was dedicated to his friend Jamie Sabartes. No name was given by Picasso to the series. The 347 series was first displayed at the Art Institute of Chicago and Paris's Galerie Louise Leris in 1970.
Picasso was assisted by the Parisian printers Aldo and Piero Crommelynck, who had established an etching workshop near Picasso's Mougins residence.
Collections
- National Museum in Oslo, Norway
- Picasso Museum in Barcelona, Spain
- Picasso Museum in Paris, France
- National Library of Paris, France
- The British Museum, United Kingdom
- Art Institute of Chicago, United States
- Museum Ludwig, Germany
- The Israel Museum, Jerusalem
- Gottfried Keller-Stiftung, Switzerland
Random House published a two volume boxed set of the 347 Series in 1970, published as Pablo Picasso: Suite 347.
References
- ^ Tim McNeese; Pablo Picasso (2006). Pablo Picasso. Infobase Publishing. p. 102. ISBN 978-1-4381-0687-8.
- ^ Daniel Taylor (23 January 2007). "Picasso's Late Period: The Prices Keep Rising". Art News. Retrieved 15 April 2016.
- ^ Holloway, Memory Jockisch (2006). Making Time: Picasso's Suite 347. Peter Lang. p. 233. ISBN 978-0-8204-5046-9.
- ^ "Pablo Picasso - No. 135 from Suite 347". Museum of Modern Art. Retrieved 15 April 2016.
- ^ Holloway (2006), p. 255.