In this article, we will explore the fascinating world of 42nd Street (Manhattan), a topic that has captured the attention of countless individuals throughout history. From its origins to its relevance today, 42nd Street (Manhattan) has played a significant role in various spheres of life. Through detailed analysis, we will examine the different facets of 42nd Street (Manhattan), highlighting its impact on society, culture and science. With a retrospective and prospective look, this article seeks to provide a comprehensive understanding of 42nd Street (Manhattan) and its influence on the contemporary world.
During the American Revolutionary War, a cornfield near 42nd Street and Fifth Avenue was where General George Washington angrily attempted to rally his troops after the British landing at Kip's Bay, which scattered many of the American militiamen. Washington's attempt put him in danger of being captured, and his officers had to persuade him to leave. The rout eventually subsided into an orderly retreat.
John Jacob Astor purchased a 70-acre (28 ha) farm in 1803 that ran from 42nd Street to 46th Street west of Broadway to the Hudson River.
19th century
The street was designated by the Commissioners' Plan of 1811 that established the Manhattanstreet grid as one of 15 crosstown (east-west) streets that would be 100 feet (30 m) in width, while other streets were designated as 60 feet (18 m) in width.
In 1835, the city's Street Committee, after receiving numerous complaints about lack of access for development above 14th Street, decided to open up all lots which had already been plotted on the city grid up to 42nd Street, which thus became – for a time – the northern boundary of the city.
Cornelius Vanderbilt began the construction of Grand Central Depot in 1869 on 42nd Street at Fourth Avenue as the terminal for his Central, Hudson, Harlem and New Haven commuter rail lines, because city regulations required that trains be pulled by horse below 42nd Street. The Depot, which opened in 1871, was replaced by Grand Central Terminal in 1913.
Between the 1870s and 1890s, 42nd Street became the uptown boundary of the mainstream theatre district, which started around 23rd Street, as the entertainment district of the Tenderloin gradually moved northward.
Early 20th century
42nd Street was developed relatively late compared to other crosstown thoroughfares such as 14th Street and 23rd Street, which had grown during the American Civil War, and 57th Street, which became prominent in the 1890s. It was only after the beginning of the 20th century that the street saw entertainment venues being developed around Times Square and upscale office space around Grand Central Terminal. In the first two decades of the 20th century, eleven venues for legitimate theatre were built within one block of West 42nd Street between Seventh and Eighth Avenues.
The corner of 42nd Street and Broadway, at the southeast corner of Times Square, is the eastern terminus of the Lincoln Highway, the first road across the United States, which was conceived and mapped in 1913.
An elevated railroad line, running above East 42nd Street from Third Avenue to the Grand Central station, was closed in 1923, leading to the development of such structures as the Chanin Building and 110 East 42nd Street west of Lexington Avenue. The street east of Lexington Avenue continued to be made up of mostly low-rise buildings; these blocks were adjacent to the Second Avenue and Third Avenue elevated lines, and accordingly, initially considered unattractive for major development. By the 1920s, The New York Times reported that several high-rise developments were "radically changing the old-time conditions" along East 42nd Street, including the Chanin, Lincoln, Chrysler, and Daily News Buildings, as well as Tudor City.
The block of 42nd Street between Second and First Avenues was originally only 40 feet (12 m) wide, passing through a steep bluff known as Prospect Hill. On either side of the street, 30-foot-wide (9.1 m) service roads ascended to Tudor City Place, which crossed over 42nd Street. To improve access to the newly developed United Nations headquarters, in 1948, the city government proposed widening that block of 42nd Street, eliminating the service roads, and constructing a viaduct to carry Tudor City Place over 42nd Street. Despite opposition from Tudor City residents, city officials said the street widening was necessary because 42nd Street already carried high amounts of vehicular traffic to and from the nearby FDR Drive. The New York City Planning Commission approved the plans in September 1948, and the Board of Estimate approved $1.848 million for the project that December. The board provisionally authorized the street widening in June 1949, and Manhattan's borough president announced in December 1949 that work would commence shortly. The neighboring stretch of 42nd Street was temporarily closed from February 1951 to October 1952 while the widening was underway.
Theatrical decline
West 42nd Street, meanwhile, prospered as a theater and entertainment district until World War II. According to historian Robert A. M. Stern, West 42nd Street's decline started in 1946, when the streetcars on 42nd Street were replaced by less efficient buses.
From the late 1950s until the late 1980s, 42nd Street, nicknamed the "Deuce", was the cultural center of American grindhouse theaters, which spawned an entire subculture. The book Sleazoid Express, a travelogue of the 42nd Street grindhouses and the films they showed, describes the unique blend of people who made up the theater-goers:
depressives hiding from jobs, sexual obsessives, inner-city people seeking cheap diversions, teenagers skipping school, adventurous couples on dates, couples-chasers peeking on them, people getting high, homeless people sleeping, pickpockets...
While the street outside the theatres was populated with:
phony drug salesman ... low-level drug dealers, chain snatchers ... unkies alone in their heroin/cocaine dreamworld ... predatory chickenhawks spying on underage trade looking for pickups ... male prostitutes of all ages ... ranssexuals, hustlers, and closety gays with a fetishistic homo- or heterosexual itch to scratch ... It was common to see porn stars whose films were playing at the adult houses promenade down the block. ... Were you a freak? Not when you stepped onto the Deuce. Being a freak there would get you money, attention, entertainment, a starring part in a movie. Or maybe a robbery and a beating.
For much of the mid and late 20th century, the area of 42nd Street near Times Square was home to activities often considered unsavory, including peep shows.
East 42nd Street was, for some time, spared from similar decline, especially east of Third Avenue, where the development of the United Nations supported a thriving business district and prompted the widening of that section of 42nd Street. The demolition of the Second and Third Avenue elevated lines by the 1950s led to increased development on East 42nd Street, such as annexes to the Chrysler and Daily News Buildings, as well as the construction of the Socony–Mobil and Ford Foundation Buildings. By the 1960s, East 42nd Street between Park and Second Avenues contained more headquarters of industries than any other place in the United States except Chicago or Pittsburgh. During this time, there was much development outside the rundown entertainment district of Times Square, somewhat offsetting the perception of that part of 42nd Street.
Revitalization
In the early 1990s, city government encouraged a cleanup of the Times Square area. In 1990, the city government took over six of the historic theatres on the block of 42nd Street between Seventh and Eighth Avenues, and New 42nd Street, a not-for-profit organization, was formed to oversee their renovation and reuse, as well as to construct new theatres and a rehearsal space. In 1993, Disney Theatrical Productions bought the New Amsterdam Theatre, which it renovated a few years later. Since the mid-1990s, the block has again become home to mainstream theatres and several multi-screen mainstream movie theatres, along with shops, restaurants, hotels, and attractions such as Madame Tussauds wax museum and Ripley's Believe It or Not that draw millions to the city every year. This area is now co-signed as "New 42nd Street" to signify this change.
In the 1990s, the renovation of Bryant Park between Fifth and Sixth Avenues, as well as the renovations of Times Square and Grand Central Terminal, led to increases in office occupancy along both sections of 42nd Street.
A fifth station extended over 42nd Street as a western spur from the Third Avenue Line to Grand Central Depot, later Grand Central Station, and finally Grand Central Terminal.
The Scorpions song "The Zoo" talks about the busy nightlife in New York; it includes the lyrics "Enjoy the Zoo, walk down 42nd Street".
The J.Geils Band song "Cruisin' for a Love" includes the lyrics "I'm going down to 42nd Street. I'm gonna find myself a friend."
The Bleachers song "Goodmorning" references "the kids at 42" who helped him out at one point in his life.
The Don McLean song "Sister Fatima" on American Pie mentions 42nd Street as a way to set the scene of New York in the 1960s.
The title track of rapper Kurtis Blow's second album Deuce also refers to the street and its nightlife.
The novel Our Lady of the Inferno is largely set against the backdrop of 1980s 42nd Street; multiple reviews praised the book for its attention to detail in accurately recreating the environment as it existed.
The Beastie Boys songs "She's Crafty" and "Hold It Now, Hit It" include the lyrics "I think I thought I seen her on eighth and forty-deuce" and "I'm a peep-show seeking on the forty-deuce", respectively.
The Kansas song "Down the Road", from the 1975 album Song for America, includes the lyrics "The kind of freaks that hang out on 42nd Street".
The 42nd Street Subway Station is featured in Street Fighter III: Third Strike as the "Subway Station" stage. There are two versions of the stage, which are used for the characters Alex and Ken Masters, respectively. Alex's version is set at 1:31 am and has a bright orange tint, as opposed to Ken's version, which is set at 9:27 pm and has a blue tint. The former also has construction equipment all over the place whereas the latter is clear.
In addition, "forty-deuce" is street slang for Manhattan's former live peep show district on 42nd Street. The following works reference the phrase "forty-deuce":
^"Legitimate: New York's Playhouse List Nearing Half Century Mark". Variety. Vol. 48, no. 7. October 12, 1917. p. 14. ISSN0042-2738. ProQuest1505606157.
^ abc"Tudor City Plea To Save Park Area Rebuffed: Estimate Board Also Tells 42d Street Group It Must Make Way for U. N. Plan". New York Herald Tribune. December 17, 1948. p. 42. ISSN1941-0646. ProQuest1336513318.
^Yerxa, Fendall (July 22, 1948). "Tudor City Protests City's Plans To Develop Approach to U.N. Site". New York Herald Tribune. p. 1. ISSN1941-0646. ProQuest1327415594.
^ abLandis, Bill and Clifford, Michelle. Sleazoid Express: A Mind-Twisting Tour Through the Grindhouse Cinema of Times Square New York: Simon & Schuster, 2002. ISBN9780743215831. pp. 2–7
Bianco, Anthony (2004). Ghosts of 42nd Street: A History of America's Most Infamous Block. New York: HarperCollins Books, ISBN0-688-17089-7. (A detailed history that focuses primarily on the Times SquareTheater District from the beginning of the 20th century through its successful restoration and in the late 20th century.)
Eliot, Marc (2001). Down 42nd Street: Sex, money, culture and politics at the crossroads of the world. New York: Warner Books, ISBN0-446-52571-5. (A detailed history that focuses on the social, political and cultural aspects of the street, primarily between 7th and 8th Avenues.)