In this article, we will explore Absent in the Spring from various angles and perspectives with the aim of thoroughly understanding its importance, impact and relevance in the current context. We will highlight the different facets and dimensions of Absent in the Spring, examining its influence in various fields and its interaction with other elements that shape our reality. Through a detailed and exhaustive analysis, we will reveal the complexity and depth of Absent in the Spring, offering a comprehensive vision that allows us to fully appreciate its meaning. Using a holistic approach, we will approach Absent in the Spring from a multifaceted perspective, inviting the reader to immerse themselves in a journey of discovery and understanding that broadens their horizons and enriches their knowledge on this topic.
Author | Mary Westmacott (pseudonym of Agatha Christie) |
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Cover artist | Not known |
Country | United Kingdom |
Language | English |
Genre | Tragedy |
Publisher | Collins (UK) Farrar & Rinehart (US) |
Publication date | August 1944 |
Media type | Print (hardback & paperback) |
Pages | 160 pp. |
Absent in the Spring is a novel written by Agatha Christie and first published in the United Kingdom by Collins in August 1944 and in the United States by Farrar & Rinehart later in the same year. It was the third of six novels Christie wrote under the pen name Mary Westmacott.
The title is a quotation from William Shakespeare's sonnet 98: "From you have I been absent in the spring,..."
Stranded between trains, Joan Scudamore finds herself reflecting upon her life, her family, and finally coming to grips with the uncomfortable truths about her life.
The Times Literary Supplement's review of 19 August 1944 by Marjorie Grant Cook stated positively, "The writer has succeeded in making this novel told in retrospect, with its many technical difficulties, very readable indeed. She has not made Joan, with her shallow, scrappy mind, sympathetic, and the other characters in the tale, seen through her eyes, lack the charm they had for each other and withheld from her."
J. D. Beresford's review in The Guardian of 25 August 1944 concluded, "It is a very clever and consistently interesting study of a character that not even a desert vision could permanently change."
The novel was first serialised in the United States in Good Housekeeping in two abridged instalments from July to August 1944.