Alfred L. Copley
In today's world, Alfred L. Copley has become a topic of increasing interest to people of all ages and walks of life. Whether for its impact on society, technology, health or culture, Alfred L. Copley has generated passionate debates and deep analysis. In this article, we will explore the various facets of Alfred L. Copley, examining its evolution over time, its influence on different aspects of daily life and the future perspectives it raises. Through a multidisciplinary approach, we will try to shed light on this fascinating and relevant topic today.
Alfred Lewin Copley (1910 – 1992) was a German-American medical scientist[1] and an artist at the New York School[2] in the 1950s. As an artist he worked under the name L. Alcopley. He is best known as an artist for his abstract expressionist paintings, and as a scientist for his work in the field of hemorheology. He was married to the Icelandic artist Nína Tryggvadóttir.
Work as a medical scientist
Copley studied the rheology of blood. In 1948, he introduced the word biorheology to describe rheology in biological systems.[3] In 1952, he introduced the word hemorheology, to describe the study of the way blood and blood vessels function as part of the living organism.[4] In 1966, he established the International Society of Hemorheology, which changed its name and scope in 1969 to the International Society of Biorheology (ISB).[3] In 1972, the ISB awarded him its Poiseuille gold medal.[5]
Work as an artist
In 1949, he was one of twenty artists who founded the Eighth Street Club. The group also included Franz Kline, Willem de Kooning and Alcopley's close friend, the composer Edgard Varèse.[6]
He participated in the Ninth Street Show in 1951 and had a solo exhibition at the Stedelijk Museum, Amsterdam in 1962.[7] His work is held in the collection of the National Museum of Modern Art, Tokyo.[8]
See also
- Biorheology, the study of flow properties(rheology) of biological fluids.
- Hemorheology, the study of flow properties of blood and its elements .
References
- ^ Magda Salvesen and Diane Cousineaup, Artists' Estates: Reputations in Trust, Rutgers University Press, 2005, 356. ISBN 0-8135-3604-9
- ^ Art in America, February, 1994.
- ^ a b E. A. O'Rear et al. (2004) Rheology Bulletin Vol. 73, No. 2 "International Society of Biorheology"
- ^ J. F. Stoltz, Megha Singh, Pavel Riha, Hemorheology in Practice, IOS Press, 1999, p2. ISBN 90-5199-435-4
- ^ coe.ou.edu, accessed September 23, 2007.
- ^ Steven Johnson, The New York Schools of Music and Visual Arts, Routledge, 2002, p60. ISBN 0-8153-3364-1
- ^ artnet.com, accessed September 22, 2007.
- ^ artfacts.net, accessed September 22, 2007.
Books
- Alfred L Copley; Alex Silberberg, One man--two visions: L. Alcopley--A.L. Copley, artist and scientist : a retrospective, on the occasion of an eightieth birthday, (Oxford; New York : Pergamon Press, 1993.) ISBN 978-0-08-040832-3
- Marika Herskovic, New York School Abstract Expressionists Artists Choice by Artists, (New York School Press, 2000.) ISBN 0-9677994-0-6. p. 12; p. 18; p. 36; pp. 54–57
- Müller-Yao, Marguerite Hui: Der Einfluß der Kunst der chinesischen Kalligraphie auf die westliche informelle Malerei, Diss. Bonn, Köln 1985. ISBN 3-88375-051-4
- Müller-Yao, Marguerite: Informelle Malerei und chinesische Kalligrafie, in: Informel, Begegnung und Wandel, (hrsg von Heinz Althöfer, Schriftenreihe des Museums am Ostwall; Bd. 2), Dortmund 2002, ISBN 3-611-01062-6
- Rolf Wedewer: Die Malerei des Informel. Weltverlust und Ich-Behauptung, Deutscher Kunstverlag, München, 2007. ISBN 3-422-06560-1
