In today's world, Alice in Wonderland (1966 TV play) has become a topic of great relevance and interest to a wide spectrum of people. Both professionally and personally, Alice in Wonderland (1966 TV play) has generated debates and discussions about its impact and influence on society. From its origin to its current evolution, Alice in Wonderland (1966 TV play) has been the subject of studies and research that have tried to shed light on its implications and consequences. In this article, we will explore some fundamental aspects of Alice in Wonderland (1966 TV play) and analyze its role in different contexts. From its connection with technology, through its relationship with culture and politics, to its importance in everyday life, Alice in Wonderland (1966 TV play) is a topic that continues to generate interest and reflection today.
Alice in Wonderland | |
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Directed by | Jonathan Miller |
Written by | Jonathan Miller |
Based on | Alice's Adventures in Wonderland by Lewis Carroll |
Produced by | Jonathan Miller |
Starring | |
Cinematography | Dick Bush |
Edited by | Pam Bosworth |
Music by | Ravi Shankar |
Distributed by | BBC |
Release date |
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Running time | 72 minutes (25 fps) |
Country | United Kingdom |
Language | English |
Alice in Wonderland is a 1966 BBC television play, shot on film, based on Lewis Carroll's 1865 book Alice's Adventures in Wonderland. It was adapted, produced and directed by Jonathan Miller, then best known for his appearance in the satirical revue Beyond the Fringe.
Miller's production is unique among live-action Alice films in that he consciously avoided the standard Tenniel-inspired costume design and "florid" production values. Most of the Wonderland characters are played by actors in standard Victorian dress, with a real cat used to represent the Cheshire Cat. Miller justified his approach as an attempt to return to what he perceived as the essence of the story: "Once you take the animal heads off, you begin to see what it's all about. A small child, surrounded by hurrying, worried people, thinking 'Is that what being grown up is like?'"
Unlike many 1960s BBC productions, the play survived destruction, and was issued onto DVD by both the BFI and the BBC themselves.
Interiors were filmed at Netley Hospital, a mid-19th-century building that was demolished not long after the film was made.[better source needed] Beach scenes with the Gryphon and the Mock Turtle were filmed at Pett Level in East Sussex.[citation needed] The courtroom scene was recorded at the BBC's Ealing Studios and involved the building of the largest set that Stage 2 at Ealing had ever seen.
In July 1966 BBC spent three days at Donington Hall filming the 'Pool of Tears' and the 'Caucus Race' scenes for Jonathan Miller's production. The Caucus Race was filmed in the cellars.