In today's world, All In (film) has become a very important issue in society. From its impact on the global economy to its influence on people's daily lives, All In (film) has generated great interest and debate in various areas. As time progresses, interest in All In (film) has been increasing, as its relevance becomes increasingly evident. With so many different opinions and interpretations, it is essential to thoroughly examine All In (film) to understand its scope and impact on different aspects of modern life. In this article, we will explore in detail the various aspects of All In (film) and its impact on today's society.
All In | |
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Directed by | Marcel Varnel |
Written by | Val Guest Leslie Arliss |
Based on | Tattenham Corner by Philip Merivale & Brandon Fleming |
Produced by | Michael Balcon |
Starring | Ralph Lynn Gina Malo Jack Barty Claude Dampier |
Cinematography | Arthur Crabtree |
Edited by | Alfred Roome |
Music by | Louis Levy |
Production company | |
Distributed by | Gaumont British Distributors |
Release date |
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Running time | 71 minutes |
Country | United Kingdom |
Language | English |
All In is a 1936 British sports comedy film directed by Marcel Varnel and starring Ralph Lynn, Gina Malo and Garry Marsh. The owner of a racing stables has high hopes of winning The Derby, but fate intervenes. It is also known by the alternative title Tattenham Corner, from the play on which it is based.
The film was made at Islington Studios by Gainsborough Pictures with sets designed by the art director Alex Vetchinsky. It was based on a play, Tattenham Corner, by Philip Merivale and Brandon Fleming, which takes its name from a sharp bend on Epsom Racecourse, where the Derby is run.