Tu banner alternativo

Annamacharya

In the world of Annamacharya there is a great variety of approaches, opinions and perspectives that can be approached from different angles. It is a topic that has captured the attention of various sectors of society, generating debates, reflections and deep analysis. In this article, we will explore the different aspects related to Annamacharya, from its history and evolution to its impact today. Through different points of view and evidence, we will seek to fully understand the context surrounding Annamacharya, thus allowing a more complete and enriching vision of this very relevant topic.

Tu banner alternativo

Tallapaka Annamacharya
తాళ్లపాక అన్నమాచార్య
A statue of Annamacharya at Dwaraka Tirumala, in Andhra Pradesh, India
A statue of Annamacharya at Dwaraka Tirumala, in Andhra Pradesh, India
Background information
Also known asAnnamayya,
Pada Kavitha Pitaamahudu
Born(1408-05-09)9 May 1408
Died23 February 1503(1503-02-23) (aged 94)
GenresCarnatic
Occupationssaint, poet, composer, writer
InstrumentTambura

Tallapaka Annamacharya (Telugu: తాళ్ళపాక అన్నమాచార్య, romanizedTāḷḷapāka Annamācārya; 9 May 1408 – 23 February 1503), also popularly known as Annamayya, was a Telugu musician, composer, and Hindu saint. He is the earliest known Indian musician to compose songs called saṁkīrtanas. His devotional saṁkīrtanas were in the praise of Venkateswara, a form of Vishnu.

Annamayya is said to have composed as many as 32,000 saṁkīrtanas in the praise of Venkateswara, of which only about 14,904 are available today. He wrote the most kīrtanas in the praise of Lord Vishnu of all time.[1] The musical form of the kīrtana songs that he composed, which are still popular among Carnatic music concert artists,[2] have strongly influenced the structure of Carnatic music compositions.[3] His compositions are classified as Adhyatma (spiritual) and Sringara (romantic). Annamacharya is remembered for his saintly life, as one of the greatest musicians and is honoured as a great devotee of Vishnu by devotees and saintly singers.[4] He was one of the first few who opposed the social stigma towards the untouchable castes in his era.

ఇది కళ్యాణవేంకటేశ్వర ఆలయమునందు తీసింది
తాళ్లపాక అన్నమాచార్యులు

He is believed to have been the avatar of Nandaka, the sword of Vishnu. He is widely regarded as the Āndhra Pāḍākavita Mahāpita (Telugu: ఆంధ్ర పదకవితాపితమహుడు.), which means the "grandfather of Telugu songwriting."[1]

Personal life

Tallapaka Annamacharya was born on Vaishakha Shuddha Pournami in the year Sarwadhari (22 May 1408) in Tallapaka, Near Rajampet Mandalam, a village in present-day Annamayya district of Andhra Pradesh, India.[5] Even though his parents belonged to the Nandavarika Niyogi Brahmin community of Smarta tradition, he was given Samashrayana initiation by Ghana-Vishnu, and became a Vaishnava of the Ramanuja Sri Vaishnava Sampradaya tradition.[6][7][8] He decided to go to Ahobilam in order to receive instructions from Satakopa Swami, the founder of Ahobila Matha. He spent many years in Ahobilam where he acquired the knowledge of Naalayira Divya Prabandham and the philosophy of Visistadvaita. His wife, Timmakka,[9] had written Subhadra Kalyanam, and is considered the first female poet in Telugu literature. Their son, Pedda Tirumalacharya, and grandson, Tallapaka Chinnayya, were also composers and poets. The Tallapaka compositions are considered to have dominated and influenced the structure of Carnatic music compositions.[3] Annamacharya lived for 95 years until Phalguna Bahula (Krishna) Dvadashi (the twelfth day after the full moon) in the year Dhundhubhi (4 April 1503).

A statue of Tallapaka Annamacharya situated at the Sarada River Park in Anakapalle, Andhra Pradesh.

Literary career

10-story tall statue of Sri Tallapaka Annamacharya located at the entrance of Tallapaka.

Annamayya is said to have composed as many as 32,000 samkirtanas (songs) on the praise of Venkateswara of which only about 12,000 are available today. He is also the author of musical treatise called "Saṁkīrtana Lakṣaṇamu".[1]

Annamayya considered his compositions as floral offerings to Venkateswara. In the poems, he praises the deity, describes his love for him, argues and quarrels with the deity, confesses the devotee's failures and apprehensions, and surrenders himself to Venkateswara. His songs are classified into the Adhyatma (spiritual) and Shringara (romantic) samkirtanas genres. His songs in the "Sringara" genre worship Venkateswara by describing the romantic adventures of Venkateswara and his consort Alamelu, while others describe the bhakti of his devotees.

In his later Samkeertanas, he espouses subjects such as morality, dharma and righteousness. He was one of the first few who opposed the social stigma towards the untouchable castes in his era,[10] with his samkirtanas explaining that the relationship between God and humans is the same irrespective of the latter's colour, caste and financial status, in his songs "Brahmaṃ Okkatē Paraḥbrahmamokkatē" and "ē kulajuḍainanēmi evvaḍainanēmi". His prodigious literary career earned him a place among the all-time greats of Telugu literature.[11]

Legacy

2004 Indian stamp of Annamacharya

While he enjoyed popularity in his days, his compositions were forgotten for over three centuries. Mentioned in 1849,[12] they were later found engraved on copper plates, hidden for centuries inside the Venkateswara temple at Tirumala, just opposite the Hundi, concealed in a very small room. An English translation of 150 of these verses was published in 2005.[13]

Tirumala Tirupati Devasthanams, also known as TTD, has been endeavouring to preserve the rich heritage of his compositions. In the year 1950, The State Government of Andhra Pradesh created a committee and appointed the musician late Dr. M. Balamuralikrishna as its head. He set music to over 800 compositions of Annamacharya. He was the Āsthāna Gāyaka of the Tirumala temple at Tirupati for two decades. He is regarded as a legend for rendering devotional music in classical style, especially the Annamacharya Sankirtanas. [citation needed] He was also an acclaimed poet, singer, and musicologist. In 1979, the singer Smt. M. S. Subbulakshmi's album Balaji Pancharatna Mala came up with Annamacharya samkeerthanas like Vande Vasudevam, Bhavamulona, Sriman Narayana and many more.[citation needed]

Shobha Raju is the first recipient of the Tirumala Tirupati Devasthanams scholarship in 1976 to study and set a trend for the propagation of Annamacharya's compositions, and was also chosen as the first exclusive artiste for the propagation of Tallapaka's compositions in 1978. Her first audio album, "Vēnkatēśvara Gīta Mālika" is globally popular among the Telugu community. She is the founder of Annamacharya Bhavana Vahini (ABV) in 1983, which is located in Hyderabad, India. She has been awarded Padmashri by the Government of India, in 2010 in recognition of her efforts to promote Annamayya Compositions. Garimella Balakrishna Prasad, a Carnatic music exponent and the Asthana Vidwan of Tirumala Tirupati Devasthanams has set tune to more than six hundred songs written by Annamacharya, gave audio recordings for TTD, published books with musical notations and conducted classes, teaching the songs to make them more popular.[citation needed]

In 1994, reputed Bharathanatyam artist Parvathi Ravi Ghantasala, also the daughter-in-law of the singer Ghantasala Venkateswara Rao, for the first time produced and presented a mammoth dance production as a tribute to the divine composer titled "Annamaiyah". Rare and popular songs were woven into a story format and music by stalwarts was set to action. This production was inaugurated by the former President of India R. Venkatraman and Bharat Ratna-winning singer M. S. Subbulakshmi and later that year for the Tirumala Brahmotsavam. In 2009, a DVD of the production was launched which included several places visited by the saint himself.[citation needed]

A Telugu film named Annamayya was made on him by K. Raghavendra Rao in 1997. It starred Nagarjuna in the lead role as Annamacharya and also featured Suman as Venkateswara and Bhanupriya as Goddess Padmavati in important roles.[citation needed]

In 2017, one of Annamayya's compositions, Brahmam Okate, became a YouTube sensation. As of early 2019, this video alone (produced by Kuldeep M. Pai) has garnered over 11 million views and made the child singers Sooryagayathri and Rahul Vellal household names for their flawless rendering of the classic keerthana. Professional singers P. Unnikrishnan[14] and Sreeranjini Kodampally[15] have their performances of the composition on YouTube.

Famous compositions

This is a partial list of some of the most famous Tallapaka Annamacharya compositions.

Composition Rāga Tāla Music Set By Language Notes
Adivō Alladivō Śriharivāsamu
అదివో అల్లదివో శ్రీహరివాసము
Madhyamavati Adi Dr. Shobha Raju Telugu
Alara Cañcalamaina Ātmalanduṇḍa
అలర చంచలమైన ఆత్మలందుండ
Rāga mālika khanDa cApu Garimella Balakrishna Prasad Telugu [16]
Alarulu Kuriyaga Āḍinadē
అలరులు కురియగ ఆడినదే
Sankarabharanam Rallapalli Ananta Krishna Sharma Telugu
Anni Mantramulu Indē Āvahiñcenū
అన్ని మంత్రములు ఇందే ఆవహించెనూ
Amritavarshini Telugu [17]
Antarangameḷḷa Srihariki
అంతరంగమెళ్ళ శ్రీహరికి
Adi (Tisra Nadaka) Nedunuri Krishnamurthy Telugu
Antaryāmi Alasiti Solasiti
అంతర్యామి అలసితి సొలసితి
Shivaranjani Telugu
Bhāvayāmi Gōpālabālaṁ Manassēvitaṁ
భావయామి గోపాలబాలం మనస్సేవితం
Yamunā Kaḷyāṇi Khanda Chapu Kadayanallur Venkataraman Sanskrit [18]
Bhāvamulōna Bāhyamunandunu
భావములోన బాహ్యమునందును
Śuddha Dhanyasi Adi Nedunuri Krishnamurthy Telugu [19]
Brahma Kaḍigina Pādamu
బ్రహ్మ కడిగిన పాదము
Mukhāri Adi Rallapalli Ananta Krishna Sharma Telugu
Brahmaṁ Okaṭē

బ్రహ్మం ఒకటే

Bowli Adi Dr. Shobha Raju Telugu Tatva Prabōdha Kīrtana
Cakkani Talliki Chāṅgubhaḷā
చక్కని తల్లికి ఛాంగుభళా
Telugu
Cāladā Harināma Saukhyāmr̥tamu
చాలదా హరినామ సౌఖ్యామృతము
Telugu
Cēri Yaśōdaku Śiśuvitan̆ḍu
చేరి యశోదకు శిశువితఁడు
Mohanam Adi Telugu
Candamāma Rāve Jābilli Rāve
చందమామ రావే జాబిల్లి రావే
Telugu
Dēvadēvaṁ Bhajē Divya Prabhāvaṁ
దేవదేవం భజే దివ్య ప్రభావం
Hindolam Khanda Chapu Sripada Pinakapani Sanskrit
Ḍōlāyāṁ Cala ḍōlāyāṁ
డోలాయాం చల డోలాయాం
Khamas Thisra Adi Telugu
Ēmakō Ciguruṭadharamuna Eḍaneḍakastūri Niṇḍenu
ఏమకో చిగురుటధరమున ఎడనెడకస్తూరి నిండెను
Telugu
Ē Purāṇamuna Enta Vedakinā
ఏ పురాణమున ఎంత వెదకినా
Telugu
Govindāśrita Gōkula Br̥ndā
గోవిందాశ్రిత గోకుల బృందా
Madhuvanti Telugu
Harināmame Kaḍu Ānandakaramu
హరినామమే కడు ఆనందకరము
Jonpuri Telugu
Indariki Abhayammuliccu Cēyi
ఇందరికి అభయమ్ములిచ్చు చేయి
Telugu
Ippuḍiṭu Kalagaṇṭi
ఇప్పుడిటు కలగంటి
Telugu
Itarulaku Ninneruga Taramā
ఇతరులకు నిన్నెరుగ తరమా
Telugu
Jō Acyutānanda Jō Jō Mukundā
జో అచ్యుతానంద జో జో ముకుందా
Navroj Telugu [20]
Kaṇṭi Śukravāramu Gaḍiyalēḍiṇṭa
కంటి శుక్రవారము గడియలేడింట
Telugu [21]
Koṁḍalalō Nelakonna Kōnēṭi Rāyaḍu Vāḍu
కొండలలో నెలకొన్న కోనేటి రాయడు వాడు
Hindolam Telugu
Kṣīrābdi Kanyakaku Śrīmahālakṣmikini
క్షీరాబ్ది కన్యకకు శ్రీమహాలక్ష్మికిని
Kurinji(raga) Khanda Chapu Telugu
Kulukaka Naḍavarō Kommalārā
కులుకక నడవరో కొమ్మలారా
Atana Adi Telugu [22]
Mādhava Kēśava Madhusūdhana
మాధవ కేశవ మధుసూదన
Kapi Adi Sanskrit
Mēdini Jīvula Gāva Mēlukōvayyā
మీదిని జీవుల గావ మేలుకోవయ్యా
Telugu
Muddugārē Yaśōda Muṅgiṭa Mutayamu Vīḍu
ముద్దుగారే యశోద ముంగిట ముత్యము వీడు
Kuranji Adi Nedunuri Krishnamurthy Telugu [23]
Mūsina Mutyālakēlē Moragulu
మూసిన ముత్యాలకేలే మొరగులు
Telugu
Nallani Mēni Nagavu Chūpulavāḍu
నల్లని మేని నగవు చూపులవాడు
Telugu
Namō Namō Raghukulanāyaka

నమో నమో రఘుకులనాయక

Nattai Sanskrit
Nānāṭi Batuku Nāṭakamu
నానాటి బతుకు నాటకము
Rēvati Adi Nedunuri Krishnamurthy Telugu
Nārāyaṇa Tē Namō Namō
నారాయణ తే నమో నమో
Bihag Adi ' Sanskrit
Neyyamullallō Nērēḷḷo Voyyana Ūreḍi Uvviḷḷō
నెయ్యములల్లో నేరేళ్ళో వొయ్యన ఊరెడి ఉవ్విళ్ళో
Telugu
Nityapūjalivivō Nericinānōhō
నిత్యపూజలివివో నేరిచినానోహో
Telugu [24]
Paluku Tēnelatalli Pavaḷiñcenu
పలుకు తేనెలతల్లి పవళించెను
Telugu
Poḍaganṭimayyā Mimmu Puruṣōttamā
పొడగంటిమయ్యా మిమ్ము పురుషోత్తమా
Mohanam Adi Telugu
Śrimannārāyaṇā Śrimannārāyaṇā Nī Śrīpādamē Śaraṇu
శ్రీమన్నారాయణ శ్రీమన్నారాయణ నీ శ్రీపాదమే శరణు
Bowli Adi Telugu
Rajīva Nētrāya Raghavāya Namō
రాజీవ నేత్రాయ రాఘవాయ నమో
Madhyamavathi Khanda Chapu K. J. Yesudas Sanskrit
Ramacandruḍitaḍu Raghuvīruḍu
రామచంద్రుడితడు రఘువీరుడు
Telugu
Siruta Navvulavāḍu Sinnakkā
సిరుత నవ్వులవాడు సిన్నక్కా
Telugu
Ṣōḍaśa Kaḷānidhiki Ṣōḍaśōpacāramulu
షోడశ కళానిధికి షోడశోపచారములు
Telugu
Tvamēva Śaraṇam
త్వమేవ శరణం
Telugu
Vandēhaṁ Jagadvallabhaṁ

వందేహం జగద్వల్లభం

Hamsadhvani Khanda Chapu Sanskrit In praise of Venkaṭēśvara
Vandē Vāsudēvaṁ Śrīpatiṁ
వందే వాసుదేవం శ్రీపతిం
Sri Khanda Chapu Sanskrit
Vēḍukondāmā Vēṅkaṭagiri Veṅkaṭēśvaruni Vēḍukondāmā
వేడుకొందామా వేంకటగిరి వేంకటేశ్వరుని వేడుకొందామా
Telugu
Vinnapālu Vinavale Vintavintalu
విన్నపాలు వినవలె వింతవింతలు
Telugu

అన్నమయ్య పాటలు (All Annamayya songs lyrics in Telugu Script)

See also

References

  1. ^ a b c "Life and Times of Sri Tallapaka Annamacharya". Svasa.org. Retrieved 20 June 2013.
  2. ^ Jackson (1999), p. 105.
  3. ^ a b Jackson (1999), p. 216.
  4. ^ Jackson (1999), p. 265.
  5. ^ "Pension for Annamayya's descendants". The Hindu. Chennai, India. 23 May 2008. Archived from the original on 5 August 2012.
  6. ^ The Illustrated Weekly of India, Volume 103, Issues 1-24. Bennett, Coleman & Company, Limited, at the Times of India Press. 1982. p. 30. Annamacharya became a Vaishnava in the Ramanujacharya Sampradaya.
  7. ^ William Joseph Jackson, ed. (1998). Songs of Three Great South Indian Saints. Oxford University Press. p. 36. ISBN 978-0-19-564655-9.
  8. ^ Molugu, Pavithra; Pande, Rekha (2016). "Annamayya and His Contribution to the Bhakti Movement". Proceedings of the Indian History Congress. 77: 282–289. ISSN 2249-1937.
  9. ^ "Annamacharya's 600th birth anniversary celebrated". The Hindu. Chennai, India. 6 April 2009. Archived from the original on 4 June 2011.
  10. ^ "All are equal before God". The Hindu. Chennai, India. 14 July 2000. Archived from the original on 4 June 2011. Retrieved 5 June 2013.
  11. ^ "A classical touch to Annamayya kritis". The Hindu. Chennai, India. 5 February 2005. Archived from the original on 10 February 2005.
  12. ^ Campbell, AD (1849). A grammar of the Telugu language (3 ed.). Hindu Press. p. xiii.
  13. ^ Annamayya (2005). God on the Hill: Temple Poems from Tirupati. Translated by Velcheru Narayana Rao; David Shulman. Oxford University Press. ISBN 0-19-518284-7.
  14. ^ Archived at Ghostarchive and the Wayback Machine: r2kkartik (3 July 2011), Brahmamokate Unnikrishnan, retrieved 8 November 2018{{citation}}: CS1 maint: numeric names: authors list (link)
  15. ^ Mathrubhumi Kappa TV (6 November 2018), Brahmam Okate - Sreeranjini Kodampally & Ralfin Stephen's Band - Music Mojo Season 6 - Kappa TV, archived from the original on 11 December 2021, retrieved 8 November 2018
  16. ^ "Alara chanchalamaina". Sahityam. 25 September 2009. Archived from the original on 17 March 2014. Retrieved 20 June 2013.
  17. ^ "Anni mantramulu". Sahityam. 7 November 2009. Archived from the original on 20 June 2013. Retrieved 20 June 2013.
  18. ^ "Bhavayami Gopalabalam". Sahityam. 6 July 2010. Archived from the original on 11 August 2013. Retrieved 20 June 2013.
  19. ^ "Bhavamulona bahyamunandunu". Sahityam. Archived from the original on 17 March 2014. Retrieved 20 June 2013.
  20. ^ "Jo achyutananda jo jo mukunda". Sahityam. 24 January 2012. Archived from the original on 27 May 2013. Retrieved 20 June 2013.
  21. ^ "Kanti sukravaramu". Sahityam. 9 June 2010. Archived from the original on 17 March 2014. Retrieved 20 June 2013.
  22. ^ "Kulukaka nadavaro". Sahityam. 19 October 2010. Archived from the original on 20 June 2013. Retrieved 20 June 2013.
  23. ^ "Muddugare yasoda". Sahityam. 2 October 2010. Archived from the original on 20 June 2013. Retrieved 20 June 2013.
  24. ^ "Nitya pujalivivO". Sahityam. 17 June 2010. Archived from the original on 20 June 2013. Retrieved 20 June 2013.

Further reading

  • Jackson, William. 'Religious and Devotional Music: Southern Area' (1999). In Porter, James; Rice, Timothy; Goertzon, Chris. The Garland Encyclopedia of World Music. New York & London: Taylor & Francis.