Anne Cromwell's Virginal Book

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Anne Cromwell's Virginal Book is a manuscript keyboard compilation dated 1638. Whilst the importance of the music it contains is not high, it reveals the sort of keyboard music that was being played in the home at this time.

The manuscript

The upright quarto book originally contained 51 pages, five of which have been torn out. It retains its original calf binding with gold tooling, and the initials A.C. are stamped on both back and front covers. The verso of the title page bears a table of note values and four lines of verse:

Fouer moodes in musicke you shall find to bee
But two you only use which heare you see
Devided from the sembreefe to the quaver
Which you with ease may larne if you endevour

Each of the following 33 pages bears eight sets of six-line ruled staves on which are fifty short pieces of music, written in at least two hands. The remaining pages are blank apart from the last, on the verso of which is written:

This Book was my Grandmothers Ann Daughter and Coheiresse of Henry Cromwell Esqr. of Upwood in Count. Huntingdon & was dated 1638 But somebody has torn out þe Leaf.

The book is currently in Museum of London

The author

Anne Cromwell was born in 1618, the youngest child of Henry Cromwell († 1630) of Upwood, now in Cambridgeshire. Henry was the brother of Robert Cromwell (c. 1570-1617), the father of Oliver Cromwell, making Ann a first cousin of the Lord Protector. Anne later married John Neale of Dean, Bedfordshire. Her Coheiresse (above) was her sister Elizabeth Cromwell (born 1616) who with Anne may have had a hand in the writing of the manuscript.

Contents

The pieces contained in the manuscript are relatively simple, and written for the amateur performer. Most are anonymous, and consist of songs, dances, psalms and symphonies (masque music). Only nine pieces are attributed, of which six are to Simon Ives (1600-1662), one to John Ward, one to Bulstrode Whitelocke and one to (possibly) Thomas Holmes († 1638). However composers of some of the other pieces can be identified from other sources, and include John Bull, John Dowland and Henry Lawes. The contents (maintaining the original spelling) are as follows:

  1. A Preludium (John Bull)
  2. A Psalme
  3. Mrs Villers Sport:
  4. Besse A Bell
  5. Daphny
  6. The Building of Polles
  7. The French Balletto
  8. A French Tuckato
  9. Fortune my foe
  10. In the dayes of old
  11. Frogges Galliard (John Dowland)
  12. Mr Wards Masque (? John Ward)
  13. The Princes Masque
  14. A Toy
  15. The Queens Masque
  16. The New Nightingall
  17. The Meiry Companion
  18. An Ayre
  19. The Meiry Milke-maide
  20. Simphony
  21. The Queenes Galiard
  22. Simphony
  23. Simphony
  24. A Corranto
  25. A Masque
  26. The Meiry old man:
  27. The Healthes
  28. The Sheepeard
  29. The Duke of Buckeinghams Masque
  30. The Milke maide
  31. The wiches
  32. Symphony
  33. The Choyce by Mr Ives (Simon Ives)
  34. Mr W: M: delight (Simon Ives)
  35. The Scotch tune
  36. The Blaseing Torch
  37. Mr Holmes Coranto (? Thomas Holmes)
  38. Mr Whitelockes Coranto (Bulstrode Whitelocke)
  39. Simphony by Mr Ives (Simon Ives)
  40. Among the Mirtills (Henry Lawes)
  41. An almon by Mr Ive (Simon Ives)
  42. A Coranto by Mr Ive (Simon Ives)
  43. A Coranto by Mr Ive (Simon Ives)
  44. The Maide
  45. A Simphony by Mr Ive (Simon Ives)
  46. al done

See also

References

  1. ^ a b Austern, Linda Phyllis; McBride, Kari Boyd (2016-04-15). Psalms in the Early Modern World. Routledge. pp. 109–111. ISBN 978-1-317-07399-4.
  2. ^ Hinson, Maurice; Roberts, Wesley (2013-12-03). Guide to the Pianist's Repertoire, Fourth Edition. Indiana University Press. p. 1106. ISBN 978-0-253-01023-0.
  3. ^ Winkler, Amanda Eubanks (2020-06-04). Music, Dance, and Drama in Early Modern English Schools. Cambridge University Press. p. 109. ISBN 978-1-108-49086-3.

Further reading