Aristide Bruant

In this article, we will explore in detail Aristide Bruant, a topic of great relevance in contemporary society. Aristide Bruant has captured the attention of numerous experts and academics due to its significant impact on various aspects of daily life. Through meticulous analysis and the collection of empirical evidence, we will seek to shed light on the different nuances and facets that characterize Aristide Bruant, in order to provide a comprehensive and enriching vision on this topic. In addition, the practical and theoretical implications of Aristide Bruant will be examined, in order to promote a deeper and more detailed understanding of its importance in the current landscape.

Not to be confused with Aristide Briand.

Aristide Bruant by Nadar around 1898

Aristide Bruant (French: [aʁistid bʁyɑ̃]; 6 May 1851 – 11 February 1925) was a French cabaret singer, comedian, and nightclub owner. He is best known as the man in the red scarf and black cape featured on certain famous posters by Henri de Toulouse-Lautrec. He has also been credited as the creator of the chanson réaliste musical genre.

Biography

Ambassadeurs, Aristide Bruant by Henri de Toulouse-Lautrec

Born Louis Armand Aristide Bruand in the village of Courtenay, Loiret in France, Bruant left his home in 1866 at age fifteen, following his father's death, to find employment. Making his way to the Montmartre Quarter of Paris, he hung out in the working-class bistros, where he finally was given an opportunity to show his musical talents. Although bourgeois by birth, he soon adopted the earthy language of his haunts, turning it into songs that told of the struggles of the poor.[citation needed]

Bruant began performing at cafe-concerts and developed a singing and comedy act that led to his being signed to appear at the Le Chat Noir club. Dressed in a red shirt, black velvet jacket, high boots, and a long red scarf, and using the stage name Aristide Bruant, he soon became a star of Montmartre, and when Henri de Toulouse-Lautrec began showing up at the cabarets and clubs, Bruant became one of the artist's first friends.[citation needed]

In 1885, Bruant opened his own Montmartre club, a place he called "Le Mirliton". Although he hired other acts, Bruant put on a singing performance of his own. As the master of ceremonies for the various acts, he used the comedy of the insult to poke fun at the club's upper-crust guests who were out "slumming" in Montmartre. His vaudeville-inspired mix of song, satire and entertainment developed into the musical genre called chanson réaliste (realist song).

Bruant died in Paris and was buried in Subligny's cemetery, near his birthplace in the departement of Loiret. Rue Bruant in Paris XIII arrondissement was named, not in Aristide's honor, but after the architect Libéral Bruant (1637-1697) whose church of the hospital Salpêtrière was built just north of the street.

Songs

Some of Bruant's better known songs include:

Popular culture

Aristide Bruant in his Cabaret painting by Toulouse-Lautrec
  • On Doctor Who, Tom Baker's trademark look as the Fourth Doctor was created by costume designer James Acheson, has said that he was trying to create a "bohemian" look for the character, and claimed he was unconsciously influenced by Lautrec's paintings of Bruant.
  • On Yakuza 3, Tokyo Kamurocho's Bantam Irish pub is decorated with Toulouse-Lautrec's paintings of Bruant.
  • In the poem 'Your Paris' (Birthday Letters), Ted Hughes mentions that Sylvia Plath "Called Aristide Bruant".

References

  1. ^ Conway, Kelly (2004). Chanteuse in the City: The Realist Singer in French Film. University of California Press. p. 6. ISBN 0-520-24407-9
  2. ^ Moore Whiting, Steven (1999). Satie the Bohemian: From Cabaret to Concert Hall, Oxford University Press. p. 20. ISBN 0-19-816458-0
  3. ^ a b Robb, David (2007). Protest Song in East and West Germany Since the 1960s, Boydell & Brewer. p. 36. ISBN 1-57113-281-3.
  4. ^ Schechter, Joel (2003). Popular Theatre: A Sourcebook, Routledge. pp. 181-183. ISBN 0-415-25830-8
  5. ^ Wilson, Elizabeth (2003). Bohemians: The Glamorous Outcasts, Tauris Parke Paperbacks. p. 224. ISBN 1-86064-782-0.
  6. ^ Hillariet, Jacques. "Dictionaire Historique des Rues de Paris", Les Editions de Minuit, Paris, 1963, vol 1, p. 246.
  7. ^ "FindArticles.com | CBSi".

External links

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