Today, Armand Angster is a topic that arouses great interest and debate in society. From its origins to the present, Armand Angster has been the subject of study and analysis by experts from different disciplines. Its impact on people's lives and on the development of humanity has been profound, and its relevance has remained over time. In this article, we will explore in detail the most relevant aspects of Armand Angster, from its origins to its implications today. From his impact on society to his influence on popular culture, Armand Angster has left an indelible mark on history and on people's minds.
Armand Angster (born 20 January 1947) is a French clarinetist. With Françoise Kubler (soprano), he is the founder of the ensemble "Accroche Note", research and creative formation in contemporary music.
Born in Strasbourg, Angster's mastery of the different clarinets (soprano, bass clarinet[1] and metal doublebass) allows him to be the dedicatee of works by contemporary composers (Brian Ferneyhough,[2] Ansioso quasi con gioia (2015) by Stefano Gervasoni,[3] La mesure des choses I. La mesure de l'air (1992) by Joël-François Durand,[4]) as well as their interpreter (Aleph (1985) by Philippe Manoury, Dikha by Christophe Bertrand, By the Way by Pascal Dusapin, Assonance III (1989) by Michael Jarrell).
In 1981, he created in Strasbourg with Françoise Kubler the Accroche Note ensemble[5][6] offering programmes combining music from yesterday and today; this ensemble is supported in particular by the Ministry of Culture and the City of Strasbourg.
He is soloist in various formations ranging from the Orchestre philharmonique de Radio France,[7] the Orchestre philharmonique de Strasbourg to ensembles of contemporary music in Europe (Nieuw Ensemble d'Amsterdam.[2])
He regularly takes part in the Musica Festival[7] of Strasbourg and to numerous others (Europajazz Festival at Le Mans in 1989).
Angster teaches clarinet and chamber music at the Conservatoire de Strasbourg[8] and at the Haute École des arts du Rhin in Strasbourg. Many of his students such as Manuel Metzger,[9] and Jean-Francois Charles turned professionals.
He is recognized in the jazz world, notably thanks to the concerts and recordings in 1990 of the clarinet trio with Louis Sclavis and Jacques Di Donato, renowned improvisers and masters of the clarinet. He continues the trio experiment with new clarinetists, Sylvain Kassap and Jean-Marc Foltz in 2005.