Bahman Forsi
Today, Bahman Forsi occupies a central place in society. Its importance and relevance are reflected in all aspects of daily life, from politics and economics to entertainment and culture. Bahman Forsi has captured the attention of experts and fans alike, generating passionate debates and divergent opinions. In this article we will explore the influence and impact of Bahman Forsi in different areas, analyzing its evolution over time and its projection into the future. From its origins to its role today, Bahman Forsi has not only left its mark on history, but also continues to shape the world we live in.
Bahman Forsi | |
|---|---|
| بهمن فُرسی | |
| Born | Bahman Forsi 1 February 1934 |
| Nationality | Iranian |
| Occupation(s) | Novelist, playwright, Poet, Painter |
Bahman Forsi (Persian: بهمن فرسی; born 1 February 1934) is an Iranian playwright who was born in Tabriz but immigrated to Tehran when he was four years old. At first he worked for newspapers and wrote several poems, short stories and reviews; he started to write plays afterwards. His first play was The Vase (1960). He was influenced by European absurdist theater, and therefore attempted to use a completely new language in his plays, described as novel for Iranian drama in the 1960s.
Selected plays
- The Vase (1960)
- The Mouse (1963)
- Rungs of a Ladder (1963)
- Green in Green (1964)
- Spring and a Doll (1964)
- Two Times Two Is Infinity (1968)
- Breaking Sound (1971)
- Asylum (1977)
Short story collections
- In the Dog's Teeth (1964)
- First Night, Second Night (1964)
- Twelfth (1991)
- Free Fall (1991)
- The Black Rock Candy (1992)
References
- ^ Khalaj, Mansoor. (1992). Iranian Playwrights. Tehran: Akhtaran. ISBN 964-7514-13-1. pp.178-185
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