In today's world, Baksh Nasikh is a topic that has gained great relevance and has captured the attention of a wide audience. Whether due to its impact on society, its relevance in the professional field or its influence on popular culture, Baksh Nasikh has become a fundamental aspect in the current panorama. In this article, we will thoroughly explore all facets of Baksh Nasikh, from its origin to its evolution today, offering a comprehensive perspective that allows us to understand its importance and scope in different contexts.
Baksh Nasikh | |
|---|---|
| Born | 1771 |
| Died | 1838 (aged 67) |
| Pen name | Nasikh (meaning obliterator or amanuensis) |
| Occupation | Urdu poet |
| Nationality | Indian subcontinent |
| Period | Mughal era |
| Genre | Ghazal |
| Subject | Love, Philosophy |
Imam Baksh Nasikh (Urdu: اِمام بخش ناسِخ; 1776–1839) was an Urdu poet of the Mughal era who has been noted for his role in promoting Lucknow as a centre of poetry and innovation. He first succeeded in gaining the patronage of Meer Kazim Ali whose property he inherited.[1] In the 1830s Nasikh developed a rivalry with fellow ghazal writer and Lucknowi Khwaja Haidar Ali Aatish.[2] After "contemptuously" denying an offer of patronage from the nawab of Awadh, Nasikh was forced to leave Lucknow.[3] Afterwards, he went back and forth from and to Lucknow, fleeing when minister Hakim Mehdi was in power. Nasikh finally returned from exile after the death of Mehdi in 1837 and died in Lucknow in 1839.[4] It took until Bahadur Shah Zafar's reign for the art of ghazal poetry to be restored to its former glory, now in Delhi.[5]