In today's article we are going to delve into the fascinating world of Beauty and the Devil. This topic has been the subject of study and interest for years, and it is no wonder. Beauty and the Devil has captured the attention of scientists, researchers, hobbyists and the curious alike. Throughout history, Beauty and the Devil has played a crucial role in different aspects of everyday life, culture, technology, and society in general. In this article, we will explore the different aspects of Beauty and the Devil, from its origin to its impact on the world today. We are sure that at the end of this reading, you will have a broader and richer understanding of Beauty and the Devil. Get ready to embark on a journey of discovery and learning!
La Beauté du diable Beauty and the Devil | |
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Directed by | René Clair |
Written by | René Clair Armand Salacrou |
Produced by | Salvo D'Angelo |
Starring | Michel Simon Gérard Philipe |
Cinematography | Michel Kelber |
Edited by | James Cuenet |
Music by | Roman Vlad |
Distributed by | Les Films Corona (France) ENIC (Italy) |
Release dates |
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Running time | 96 minutes |
Countries | France Italy |
Language | French |
Box office | 2,538,884 admissions (France) |
La Beauté du diable (literally "the beauty of the devil"; originally released in the UK and USA as Beauty and the Devil) is a 1950 Franco-Italian fantasy film drama directed by René Clair. A tragicomedy set in the early 19th century, it is about an ageing alchemist, Henri Faust, who is given the chance to be eternally young by the devil Mephistopheles. It is loosely adapted from the classic early 19th-century verse play Faust by Johann Wolfgang von Goethe.
In 2013, the Cohen Film Collection released the Beauty and the Devil on DVD and Blu-ray. Besides the film, which was reconstructed (with bad audio), the film offers a 2010 documentary on the film itself. Ian Jane of the DVDTalk said in his closing comments regarding the Blu-ray release: "Beauty Of The Devil is slick, it's stylish and it's wonderfully shot meaning that not only is the creative way in which the story is told compelling and interesting but that it is as much a treat for the eyes as it is for the mind. The performances are good and Clair does some interesting things with his take on the story of Faust. This may be an atypical take on the classic tale, but it works incredibly well."
The film was nominated for Best Film at the 1951 BAFTA Awards and won two awards at the Italian National Syndicate of Film Journalists with a Silver Ribbon Best Actor award going to Michel Simon and best Best Production Design to Aldo Tommasini and Léon Barsacq.