Today, Bernardino Licinio is a topic of great relevance that covers different areas of daily life. From its impact on society to its influence on the economy, Bernardino Licinio is a topic that has sparked the interest of experts and citizens alike. With the advancement of technology and globalization, Bernardino Licinio has become a ubiquitous issue that not only affects one country or region, but has global repercussions. In this article, we will explore different aspects related to Bernardino Licinio, from its origin to its projection in the future, with the aim of understanding its importance and impact today.
Bernardino Licinio (c. 1489 in Poscante – 1565) was an Italian High Renaissance painter of Venice and Lombardy. He mainly painted portraits and religious canvases.
Bernardino was the second son of ser Antonio Licino, part of a family from the municipality of Poscante in Bergamo. The first son was Arrigo or Rigo, the third (Zuane Battista) became a priest of the church of San Cassiano in Venice and the fourth (Niccolò) was also a parish priest of the church of San Biagio in Venice. From the information about his brothers, it can be deduced that Bernardino was born around 1489. In 1511 it appears he was already orphaned by his father and working as a painter. Bernardino and Arrigo soon settled in Venice, like many Bergamo artists of the time.
The date of his death is not known but there are no documents and notarial deeds mentioning him after 1550, which could be considered his death date.
The work of Bernardino was properly attributed to him only in the early twentieth century, thanks to the clarification intervention of Gustav Ludwig in 1903. The misattribution was caused by Giorgio Vasari, who in both editions of the Lives, confused Bernardino Licinio with Il Pordenone, effectively obscuring both the life and the works of Bernardino Licinio for more than three centuries.
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