In today's world, Bernhard Wicki has become a topic of general interest that has captured the attention of multiple audiences. Whether due to its relevance in contemporary society or its impact on history, Bernhard Wicki has managed to generate a wide range of opinions and perspectives. From its influence on popular culture to its effects on the global economy, Bernhard Wicki has been the subject of countless debates and discussions. In this article, we will explore different aspects related to Bernhard Wicki, analyzing its meaning, its evolution over time and its implication in various areas. Through a multidisciplinary approach, we will seek to offer a comprehensive vision that allows us to understand the importance and impact of Bernhard Wicki in today's world.
Bernhard Wicki | |
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Born | St. Pölten, Austria | 28 October 1919
Died | 5 January 2000 Munich, Germany | (aged 80)
Occupation(s) | Actor Film director |
Years active | 1940–1994 |
Bernhard Wicki (28 October 1919 – 5 January 2000) was an Austrian-Swiss actor, film director and screenwriter. He was a key figure in the revitalization of post-war German-language cinema, particularly in West Germany, and also directed several Hollywood films.
His works as a director include his debut 1959 anti-war film Die Brücke, the religious drama The Miracle of Father Malachia (1961), the Friedrich Dürrenmatt adaptation The Visit (1964), and the German segments of the World War II epic The Longest Day (1962). He won four German Film Awards for Best Direction.
Wicki studied in the city of Breslau such topics as art history, history and German literature. In 1938, he transferred to the drama school of the Staatliches Schauspielhaus in Berlin. In 1939, because of his membership in the Bündische Jugend, he was imprisoned for many months in the Sachsenhausen concentration camp. After his release, he moved to Vienna, then in 1944 to Switzerland.
After World War II, he starred in many films, including Die letzte Brücke (1953) and Es geschah am 20. Juli (1955). He was also a photographer. His first attempt at directing came three years later with the documentary Warum sind sie gegen uns? (1958). He became internationally famous with his 1959 anti-war film Die Brücke, which was nominated for the Academy Award for Best Foreign Language Film. In 1961 he won the Silver Bear for Best Director at the 11th Berlin International Film Festival for his film The Miracle of Father Malachia. His break in Hollywood came shortly thereafter when he was chosen to direct Marlon Brando and Yul Brynner in the highly acclaimed World War II espionage thriller, Morituri in 1965.
Wicki was a patron of the International Film Festival in Emden-Norderney, which first started in 1990.
Wicki first married Agnes Fink, a fellow acting colleague, and later married Elisabeth Endriss, also a colleague. In the documentary Verstörung – und eine Art von Poesie (June 2007), Elisabeth Wicki-Endriss portrayed Wicki's life and work.
Wicki is buried at the Nymphenburger cemetery in Munich (grave number 4-1-23).
In 2001, the Bernhard Wicki Memorial Fund was established in Munich. Since 2002, it has awarded a yearly prize, The Bridge, to selected films that promote peace. A further prize of 15,000 euros, endowed in 2006, is presented in his name in the city of Emden.
Director
Actor