Today, Beware of Widows is a topic that has gained relevance in different areas of society. From politics and economics to culture and technology, Beware of Widows has become a point of interest that generates debate and reflection. Over time, the impact of Beware of Widows has increased, directly or indirectly affecting a wide spectrum of the population. In this article, we will explore the different facets of Beware of Widows and analyze its influence on contemporary reality, as well as the possible implications it has for the future.
| Beware of Widows | |
|---|---|
Lobby card | |
| Directed by | Wesley Ruggles |
| Screenplay by | Beatrice Van |
| Based on | Beware of Widows by Owen Moore |
| Starring | Laura La Plante Bryant Washburn Paulette Duval Walter Hiers Tully Marshall Kathryn Carver |
| Cinematography | Gilbert Warrenton |
Production company | |
| Distributed by | Universal Pictures |
Release date |
|
Running time | 60 minutes |
| Country | United States |
| Language | Silent (English intertitles) |
Beware of Widows is a 1927 American silent comedy film directed by Wesley Ruggles and written by Beatrice Van. It is based on the 1925 play Beware of Widows by Owen Moore. The film stars Laura La Plante, Bryant Washburn, Paulette Duval, Walter Hiers, Tully Marshall, and Kathryn Carver. The film was released on May 23, 1927, by Universal Pictures.[1][2][3]
With no prints of Beware of Widows located in any film archives,[4] it is a lost film.