Bungaroosh
In today's world, Bungaroosh has become a topic of great importance and interest to a wide spectrum of society. With the advancement of technology and changes in the social context, Bungaroosh has acquired increasing relevance, affecting fundamental aspects of daily life. Whether as an object of study, as a protagonist of public debates or as a driver of transformations in various areas, Bungaroosh exerts a significant influence on the way in which people perceive the world and relate to each other. In this article, we will further explore the impact and importance of Bungaroosh in contemporary society, analyzing its implications and its reach in different aspects of today's life.
Bungaroosh (also spelt bungeroosh and other variations[1][2]) is a composite building material used almost exclusively in the English seaside resort of Brighton, the neighbouring town of Hove and in the coastal Sussex area. The etymology of the word is unknown.[2] Its use dates from the start of the Regency period at the end of the 18th century, and into the 19th when Brighton grew from a fishing village into a large town.[3] Bungaroosh is often found in buildings of that era in the town and in its near neighbours Worthing and Lewes[4] but is little known elsewhere except London.[3] It was a building material first introduced by the Romans and has characteristics of that era.[3][4] It can incorporate any of a wide variety of substances and materials and is used most often in external walls.[1][5]
The manufacture of bungaroosh involved placing miscellaneous materials, such as whole or broken bricks, cobblestones, flints (commonly found on the South Downs around Brighton), small pebbles, sand and pieces of wood into hydraulic lime and then by shovelling it between shuttering until it has set.[2][5] Other structural fittings, such as brick piers or wooden lintels, could then be added if more support was needed.[2] This was particularly common in Brighton where bungaroosh walls were often built behind the stuccoed façades of Regency-style houses.[2][5] Another technique was to wait for the mixture to set, then render it with a lime-based mixture and paint it. This produced a consistent, regular surface which could be used to build the symmetrical façades required in Georgian architecture, a popular style in Lewes.[4] The material is particularly prevalent in the early 19th-century squares, crescents and terraces of Brighton's seafront, such as Regency Square, Royal Crescent and the Kemp Town estate.[4]
See also
References
Notes
- ^ a b Collis 2010, p. 11.
- ^ a b c d e Fraser, Rob (March 1991). "Bungaroosh (Bungarouche, Bunglarouge?)". Context (29). Tunbridge Wells: Institute of Historic Building Conservation (IHBC): 7. Archived from the original on 21 April 2012. Retrieved 27 December 2012.
- ^ a b c Antram & Morrice 2008, p. 6.
- ^ a b c d "Lewes Conservation Area Character Appraisal" (PDF). Lewes District Council. April 2007. Archived (PDF) from the original on 4 June 2012. Retrieved 21 February 2013.
- ^ a b c Antram & Morrice 2008, p. 7.
Bibliography
- Antram, Nicholas; Morrice, Richard (2008). Brighton and Hove. Pevsner Architectural Guides. London: Yale University Press. ISBN 978-0-300-12661-7.
- Collis, Rose (2010). The New Encyclopaedia of Brighton. (based on the original by Tim Carder) (1st ed.). Brighton: Brighton & Hove Libraries. ISBN 978-0-9564664-0-2.
Other resources
- "Living with … bungaroush" (PDF). Archived from the original (PDF) on 7 January 2016. Retrieved 18 February 2013. (1.4 MB) (from The Regency Society)
- "Flint and bungaroush". Building crafts & skills. The Regency Town House. Archived from the original on 25 December 2013. Retrieved 21 February 2013.
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