Calabrian lira
In today's article we will delve into the fascinating world of Calabrian lira. Since its inception, Calabrian lira has been the subject of interest and study, capturing the attention of those seeking to further understand its nuances and complexities. Throughout history, Calabrian lira has been the protagonist of countless debates, discussions and reflections, being a topic that encompasses a wide range of perspectives and approaches. With so much to discover and analyze, it is evident that Calabrian lira continues to be a topic of relevance today, sparking the interest of academics, enthusiasts and the curious alike. In this article, we will explore the highlights of Calabrian lira, diving into its history, evolution, and its impact on various areas of society.
 | This article includes a list of references, related reading, or external links, but its sources remain unclear because it lacks inline citations. (April 2021) |
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| String instrument | |
|---|---|
| Other names | Lira Calabrese, Lira |
| Classification | Necked bowl lutes |
| Hornbostel–Sachs classification | 321.321-71 (Necked bowl lute sounded by a bow) |
| Related instruments | |
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The Calabrian lira (Italian: lira Calabrese) is a traditional musical instrument characteristic of some areas of Calabria, a region in southern Italy.
Characteristics
The lira of Calabria is a bowed string instrument with three strings. Like most bowed lyras, it is played upright, usually supported on the knee, held with the left hand touching the strings with the nails laterally, while the right hand moves the bow. The repertory of the lira includes accompaniment songs (e.g. serenades and songs of anger) and songs suitable for dancing (tarantellas). The repertory of this traditional instrument is known only through records of older players, or people who have known them. On the other hand, in recent years an increased interest around this instrument has led to its use by music groups of traditional music and to the appearance of new manufacturers in different parts of Calabria.
Origin
The Calabrian lira is closely related to the bowed lyra (Greek: λύρα) of the Byzantine Empire. The Persian geographer of the 9th century Ibn Khurradadhbih (died 911) was the first to cite the Byzantine lyra, as a typical bowed instrument of the Byzantines (Margaret J. Kartomi, 1990). Similar bowed instruments descendants of the Byzantine lyra have continued to be played in many post-Byzantine regions until the present day with small changes: the gadulka in Bulgaria, the lyra of Crete and the Dodecanese in Greece, the lyra of Pontos and the classical kemenche (Turkish:Armudî kemençe, Greek:Πολίτικη Λύρα ~ Politiki lira) in Turkey. The Byzantine lyra spread westward to Europe, with uncertain evolution; authors in the 11th and 12th centuries use the words fiddle and lyra interchangeably (Encyclopædia Britannica. 2009).
Bibliography
- Margaret J. Kartomi: On Concepts and Classifications of Musical Instruments. Chicago Studies in Ethnomusicology, University of Chicago Press, 1990
- La lira calabrese, supplemento a Calabria, Catanzaro, maggio 1987, quaderno n. 2, anno XV, n. 25.
- libricino del cd La lira in Calabria - RLS 002 - Coop. "R.L.S.", Catanzaro, 1994.
- La lira, di Goffredo Plastino, Edizioni Monteleone (VV).
- "lira." Encyclopædia Britannica. 2009. Encyclopædia Britannica Online. 28 February 2009