Nowadays, Camille (1926 feature film) has become a highly relevant topic in modern society. Its impact covers multiple areas, from politics to technology, including culture and the economy. More and more people are influenced by Camille (1926 feature film) and its influence continues to expand at a dizzying rate. In this article, we will explore the various facets of Camille (1926 feature film) and its impact on our daily lives. From its origins to its current evolution, including its possible repercussions in the future, we will comprehensively address the importance of understanding and analyzing Camille (1926 feature film) in the current context.
Camille | |
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Directed by | Fred Niblo |
Written by | Fred de Gresac (adaptation) Olga Printzlau (scenario) Chandler Sprague (scenario) George Marion, Jr. (intertitles) |
Based on | La Dame aux Camélias 1848 novel by Alexandre Dumas, fils |
Produced by | Norma Talmadge Joseph Schenck |
Starring | Norma Talmadge Gilbert Roland Lilyan Tashman |
Cinematography | Oliver Marsh |
Music by | William Axt David Mendoza Major Edward Bowes |
Distributed by | First National Pictures |
Release date |
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Running time | 108 minutes |
Country | United States |
Languages | Silent English intertitles |
Camille is a 1926 American silent film based on the play adaptation of La Dame aux Camélias (The Lady of the Camellias) by Alexandre Dumas, fils, first published in French as a novel in 1848 and as a play in 1852. Adapted by Fred de Gresac, George Marion Jr., Olga Printzlau, and Chandler Sprague, Camille was a directed by Fred Niblo and starred Norma Talmadge as Camille and Gilbert Roland as her lover, Armand. It was produced by the Norma Talmadge Film Corporation and released by First National Pictures. The film's score was composed by William Axt.
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An incomplete 35mm positive print exists in the Raymond Rohauer collection of the Cohen Media Group, according to silentera.com.