Caves of Gargas
In the world of Caves of Gargas, there is a great diversity of approaches, ideas and opinions that can generate an extremely enriching exchange of knowledge. This is why it is crucial to delve deeper into the different aspects surrounding this topic, in order to understand its impact on today's society. From its origins to its future implications, Caves of Gargas has become a point of interest for academics, professionals and the general public. Through this article, we will seek to explore the various facets of Caves of Gargas and its relevance in the contemporary world, offering new perspectives and reflections that contribute to the enrichment of the debate around this transcendental topic.
 | This article includes a list of general references, but it lacks sufficient corresponding inline citations. (June 2013) |
| Caves of Gargas | |
|---|---|
 Interior view taken by Félix Régnault before 1910 | |
| Location | Aventignan, Hautes-Pyrénées |
| Coordinates | 43°03′19″N 00°32′10″E / 43.05528°N 0.53611°E |
The Caves of Gargas (French: Grottes de Gargas, French pronunciation: [ɡʁɔt də ɡaʁɡas]) in the Pyrenees region of France are known for their cave art from the Upper Paleolithic period - about 27,000 years old.
The caves are open to the public.
Location
The caves are located near the town of Aventignan in the Hautes-Pyrénées department in south-western France, at the edge of the Haute-Garonne close to Saint-Bertrand-de-Comminges.
History
Human occupation
The caves have yielded evidence of occupation (bones, lithics (stone tools) and portable art) from the Mousterian to the Middle Ages, but it is most famous for its paintings and engravings of the Upper Paleolithic.
The paintings have numerous negative hand stencils made by the stencil technique. The hands are red (ochre) or black (manganese oxide), using a mixture of iron oxide and manganese crushed with animal fat, and sprayed around the hand against the wall. Some have one or more fingers absent which leads to hypotheses of diseases, frostbite and ritual amputation, but most researchers prefer the symbolism of bending one or more fingers.
Many figurative engravings are also present in other parts of the caves, depicting horses, bison, aurochs, ibex and mammoth. Carbon-14 dating of a bone stuck in a crack in a wall decorated with hand stencils revealed close to 27,000 years BP, indicating that the cave was frequented in the Gravettian period. It is surmised that the Hands paintings probably date from this period.
-
A digital art representation of Negative hand stencils made by the stencil technique -
Perforated bovid Incisor – Gravettian Muséum de Toulouse -
Lithic industry– Gravettian Muséum de Toulouse -
Awl made on abraded bone Gravettian Muséum de Toulouse
.png)
.jpg)
Discovery
The two chambers of the caves began to be scientifically explored and documented at the end of the 19th century by Émile Cartailhac and Abbé Henri Breuil, but it was Felix Regnault who discovered the hand-print images in 1906.
Tourism
The caves have been classified since 1910 by the French Ministry of Culture as a monument historique (historic monument), Schedule 2, and are open to the public.
See also
References
- ^ Base Mérimée: Grotte de Gargas, Ministère français de la Culture. (in French)
Bibliography
- Foucher Pascal, San Juan-Foucher Cristina, Rumeau Yoan, La grotte de Gargas. Un siècle de découvertes, Édition Communautés de Communes du Canton de Saint-Laurent-de-Neste, 2007, 128 pages.
