In today's article we will explore Censorship and Entertainment Control Act, 1967, a topic that has captured the attention of experts and enthusiasts alike. For years, Censorship and Entertainment Control Act, 1967 has been the subject of debate and discussion in various fields, from politics to science, to popular culture. With the evolution of societies and the advancement of technology, Censorship and Entertainment Control Act, 1967 has acquired a relevant role in our daily lives, causing both fascination and controversy. Throughout this article, we will thoroughly examine the different facets of Censorship and Entertainment Control Act, 1967, addressing its origins, its impact on society, and prospects for the future.
Censorship and Entertainments Control Act | |
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Parliament of Zimbabwe (then Parliament of Rhodesia) | |
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Citation | Act No. 37 of 1967 |
Territorial extent | Zimbabwe |
Commenced | 1 December 1967 |
Administered by | Minister of Law and Order |
Amended by | |
Censorship and Entertainments Control Amendment Act 22 of 2001 | |
Status: In force |
The Censorship and Entertainments Control Act 1967 is an Act of Parliament in Zimbabwe. It was passed by the Parliament of Rhodesia in 1967 to target obscenity and blasphemy in literature and film. The act was most frequently evoked by the Rhodesian government to censor sexual content in literary works or communist literature. Rhodesian era bans on literature for politically subversive content were reversed in 1980 after the country achieved internationally recognised independence as Zimbabwe. However, the new Zimbabwean government continued to evoke the act to ban literature and films for obscenity, a broad label which it has extended to include explicit sexual content and positive portrayals of homosexuality.
The Act repealed elements of the Entertainments Control and Censorship Act, 1932, the Subversive Activities Act, 1950, and the Emergency Powers (Control of Publications) Act, 1965.