In this article, we will explore the impact of City of Gold (1957 film) on our current society. From its origins to its evolution today, City of Gold (1957 film) has played a crucial role in various aspects of daily life. Whether as a prominent figure in history, a topic of debate today, or an event that marked a before and after, City of Gold (1957 film) has left an indelible mark on the world in which we live. Through a detailed analysis, we will examine how City of Gold (1957 film) has influenced different areas, its relevance in the current context, and possible implications for the future. Join us on this fascinating journey to discover more about City of Gold (1957 film) and its impact on our society!
City of Gold | |
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Directed by | |
Written by | Roman Kroitor |
Produced by | Tom Daly |
Narrated by | Pierre Berton |
Cinematography |
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Edited by | Tom Daly |
Music by | Eldon Rathburn |
Distributed by | National Film Board of Canada |
Release date |
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Running time | 21 min 40 sec |
Country | Canada |
Language | English |
Budget | $20,771 |
City of Gold is a 1957 Canadian documentary film by Colin Low and Wolf Koenig, chronicling Dawson City during the Klondike Gold Rush. It made innovative use of archival photos and camera movements to animate still images, while also combining narration and music to bring drama to the whole. Its innovative use of still photography in this manner has been cited by Ken Burns as the source of inspiration for his so-called Ken Burns effect, a type of panning and zooming effect used in video production to animate still images.
The film is narrated by Pierre Berton and produced by the National Film Board of Canada.
The film grew out of an earlier 1952 idea to promote tourism and sport in Yukon. In researching for the film, Low and Koenig found some still photos in an Ottawa archive and tried to improve the panning method Low had employed on his 1955 visual arts documentary, Jolifou Inn. Low then discovered a much larger set of archival images of the Yukon Gold Rush, from photographer Eric A. Hegg's collection at the University of Washington in Seattle. The problem of how to animate the images via camera movement prior to the invention of computer-assisted animation cameras was resolved by Kroitor, who enlisted British mathematician Brian Salt to devise mathematical tables, and developed a device dubbed the 'Kroitorer' that allowed one to take single photos of the archival images as if photographing real-life scenes with a hand-held camera.
In the National Interest City of Gold.