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Concatenation (architecture)

In today's world, Concatenation (architecture) has become a topic of great relevance and interest to a wide spectrum of people. From business owners and professionals to academics and leisure lovers, Concatenation (architecture) has captured the attention of millions of individuals around the world. Whether for its social impact, its historical relevance, or its importance in the modern world, Concatenation (architecture) is a topic that deserves to be explored in depth. In this article, we will delve into the different aspects of Concatenation (architecture), analyzing its meaning, its evolution over time and its influence in various areas of society.

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The concatenation of the orders in Masaccio's fresco of the Trinity
This article is about an architectural composition. For other uses, see Concatenation (disambiguation).

The concatenation (enchainement) is an architectural composition that unites chaining parts together—as with separate elements in long façades, with the fronts being brought forward or recessed.[1]

Overview

The concatenation usually articulates the wall by superimposing elements of the architectural order, such as pilasters or engaged columns, inside which a round arch or a series of arches open.[2] Two hierarchical orders are usually superimposed: the minor order supports the arch, which, in turn, is framed under the entablature of the major order. The concatenation is different from the serliana that usually employs a single order on which both the arches and the architrave rest.

History

As an element of architectural language, the concatenation was common in the Roman architecture both in an isolated form (triumphal arches) and in series. It was also widely used in multi-level buildings, such as Colosseum. As a compositional element, it saw new interest in the first half of the 15th century, becoming a fundamental syntagm of the classical architecture. In the Renaissance architecture, the concatenation was widely used in all types of buildings, internal courtyards, and cloisters. William Kent and other Palladians favoured concatenated façades for their articulation.[3][4][5]

References

  1. ^ Curl, James Stevens; Wilson, Susan (2015). The Oxford Dictionary of Architecture. OUP Oxford. p. 189. ISBN 978-0-19-105385-6. Retrieved 5 August 2020.
  2. ^ Capellini, Lorenzo; Cardini, Domenico; Cresti, Carlo (1998). Florence. Umberto Allemandi. p. 94. ISBN 978-88-422-0790-0. Retrieved 5 August 2020.
  3. ^ Curl, James Stevens; Wilson, Susan (2015). The Oxford Dictionary of Architecture. Oxford University Press. p. 549. ISBN 978-0-19-967498-5. Retrieved 5 August 2020.
  4. ^ Harris, John; Architects, Royal Institute of British (1982). The Palladians. Trefoil Books. p. 76. ISBN 978-0-8478-0421-4. Retrieved 5 August 2020.
  5. ^ Wilson, Mabel O. (2019). Thomas Jefferson, Architect: Palladian Models, Democratic Principles, and the Conflict of Ideals. Yale University Press. p. 36. ISBN 978-0-300-24620-9. Retrieved 5 August 2020.
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