In this article we will explore the impact that Coral Records has had on modern society, analyzing its various facets and consequences. Since its emergence, Coral Records has generated a debate around its influence in the contemporary world, its implications in different areas and its evolution over time. We will delve into the history and context surrounding Coral Records, as well as the different perspectives that exist around this phenomenon. Through this comprehensive analysis, we will seek to further understand the role Coral Records plays today and its relevance for the future.
Coral Records | |
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Parent company | Decca Records |
Founded | 1949 |
Genre | Pop, rock, jazz |
Country of origin | U.S. |
Location | New York City |
Coral Records was a subsidiary of Decca Records that was formed in 1949. Coral released music by Patsy Cline, Buddy Holly, the McGuire Sisters and Teresa Brewer.
Coral issued jazz and swing music in the 1940s, but after Bob Thiele became head of the label in 1954, he produced pop and rock musicians such as Buddy Holly, Jackie Wilson, Lawrence Welk, and Steve Lawrence and Eydie Gormé. He also produced hit songs by his wife, Teresa Brewer.
Coral stopped issuing new material in 1971. In 1973, MCA amalgamated Decca, Kapp Records, and Uni Records under the single MCA Records banner, and Coral was repositioned as a mid-line and budget album reissue label in the U.S. and internationally. That version of Coral (MCA Coral) lasted into the 1980s. Some product from MCA's former Vocalion Records budget label was manufactured with MCA Coral labels that bore Vocalion catalog numbers and was shipped in sleeves still bearing the Vocalion trademark, presumably to cut costs.