Demetrius of Alopece
In the article titled Demetrius of Alopece, we will fully explore this fascinating topic/person/date that has captured the attention of many over the years. From his impact on society to his influence on popular culture, Demetrius of Alopece has left an indelible mark on history. Through an exhaustive analysis, we will examine the most relevant and controversial aspects of Demetrius of Alopece, offering a unique and enriching perspective on this phenomenon/person/date. Join us on this journey of discovery and learning that will undoubtedly lead us to better understand and appreciate the importance of Demetrius of Alopece in today's world.
Demetrius of Alopece (Greek: Δημήτριος) was a Greek sculptor of the early part of the 4th century BC, who is said by ancient critics to have been notable for the lifelike realism of his statues. His portrait of Pellichus, a Corinthian general, "with fat paunch and bald head, wearing a cloak which leaves him half exposed, with some of the hairs of his head flowing in the wind, and prominent veins", was admired by Lucian. He was contrasted with Cresilas, an idealizing sculptor of the generation before. Since, however, the peculiarities mentioned by Lucian do not appear in Greek portraits before the 3rd century BC, and since the Greek art of the 4th century consistently idealizes the images concerned, there would seem to be a difficulty to explain.
The date of Demetrius given above is confirmed by inscriptions found on the Athenian Acropolis.
References
- ^ Alopece (Ἀλωπεκή) was a deme of Classical Athens.
- ^ a b One or more of the preceding sentences incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Demetrius". Encyclopædia Britannica. Vol. 7 (11th ed.). Cambridge University Press. p. 983.
