In this article, the topic of Der Herr der Liebe will be addressed, which has generated great interest in various areas. Der Herr der Liebe has captured the attention of academics, experts, professionals and the general public, due to its relevance and impact today. Over the years, Der Herr der Liebe has been the subject of numerous studies, debates and analyses, which has contributed to enriching knowledge on this topic. With the aim of deepening the understanding of Der Herr der Liebe, various aspects will be examined that will allow us to understand its importance and implications in different contexts. Through a comprehensive and detailed approach, different perspectives and reflections will be presented that will contribute to enriching the debate around Der Herr der Liebe.
Der Herr der Liebe | |
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Directed by | Fritz Lang |
Written by | Leo Koffler |
Produced by | Erich Pommer |
Starring | Carl de Vogt Gilda Langer |
Cinematography | Carl Hoffmann |
Distributed by | Helios Film |
Release date |
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Running time | 60 minutes |
Country | Weimar Republic |
Languages | Silent film German intertitles |
Der Herr der Liebe (The Master of Love) is a 1919 romantic silent film directed in Germany by Fritz Lang. It was his second film. Carl de Vogt and Gilda Langer starred, as they had in Lang's debut feature, Halbblut. Lang himself is said to have acted in a supporting role.
The film is now considered to be lost.
Residing in a castle in the Carpathian Mountains, Hungarian nobleman Vasile Disecu becomes infatuated with Suzette, the daughter of his neighbor. He mistakes Stefana, a maid who is secretly in love with him, for Suzette and makes love to her. When Yvette, his wife or mistress, finds out, she avenges herself with a liaison with Lazar, a Jewish peddler. Vasile imprisons Lazar. He kills Yvette and then himself.
... the director also took part as an actor (... he had acted in a number of films he had written himself, in Berlin)[permanent dead link]
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