Description
In this article, we will explore the impact of Description on contemporary society. Since its emergence, Description has generated endless debates and reflections in different areas, from politics to popular culture. In this sense, we will seek to understand how Description has shaped our way of thinking, acting and relating to the world around us. Throughout these pages, we will analyze different aspects related to Description, exposing its relevance in the current field and its projection into the future. This article aims to offer a comprehensive view of the topic, providing the reader with the necessary tools to understand and reflect on the influence of Description in our environment.
Description is any type of communication that aims to make vivid a place, object, person, group, or other physical entity. Description is one of four rhetorical modes (also known as modes of discourse), along with exposition, argumentation, and narration.
As a fiction-writing mode
Fiction-writing specifically has modes such as action, exposition, description, dialogue, summary, and transition. Author Peter Selgin refers to methods, including action, dialogue, thoughts, summary, scenes, and description. Currently, there is no consensus within the writing community regarding the number and composition of fiction-writing modes and their uses.
Description is the fiction-writing mode for transmitting a mental image of the particulars of a story. Together with dialogue, narration, exposition, and summarization, description is one of the most widely recognized of the fiction-writing modes. As stated in Writing from A to Z, edited by Kirk Polking, description is more than the amassing of details; it is bringing something to life by carefully choosing and arranging words and phrases to produce the desired effect. The most appropriate and effective techniques for presenting description are a matter of ongoing discussion among writers and writing coaches.
Purple prose
A purple patch is an over-written passage in which the writer has strained too hard to achieve an impressive effect, by elaborate figures or other means. The phrase (Latin: "purpureus pannus") was first used by the Roman poet Horace in his Ars Poetica (c. 20 BC) to denote an irrelevant and excessively ornate passage; the sense of irrelevance is normally absent in modern usage, although such passages are usually incongruous. By extension, purple prose is lavishly figurative, rhythmic, or otherwise overwrought.
Philosophy
In philosophy, the nature of description has been an important question since Bertrand Russell's classical texts.
See also
Notes
- ^ Crews (1977, p. 13)
- ^ Crews (1977, p. 13)
- ^ Morrell (2006), p. 127
- ^ Selgin (2007), p. 38
- ^ Polking (1990), p. 106
- ^ Baldick (2004)
- ^ Ludlow, Peter (2007), Descriptions, Stanford Encyclopedia of Philosophy
References
- Baldick, Chris (2004), The Concise Oxford Dictionary of Literary Terms, Oxford: Oxford University Press, ISBN 978-0-19-860883-7
- Crews, Frederick (1977), The Random House Handbook (2nd ed.), New York: Random House, ISBN 0-394-31211-2
- Marshall, Evan (1998). The Marshall Plan for Novel Writing. Cincinnati, OH: Writer's Digest Books. pp. 143–165. ISBN 1-58297-062-9.
- Morrell, Jessica Page (2006). Between the Lines: Master the Subtle Elements of Fiction Writing. Cincinnati, OH: Writer's Digest Books. p. 127. ISBN 978-1-58297-393-7.
- Ogilvie, Brian W. (2006). The science of describing: Natural history in renaissance Europe. Chicago, IL: University of Chicago Press. ISBN 0226620875.
- Polking, Kirk (1990). Writing A to Z. Cincinnati, OH: Writer's Digest Books. ISBN 0-89879-435-8.
- Rozakis, Laurie (2003). The Complete Idiot's Guide to Grammar and Style, 2nd Edition. Alpha. ISBN 978-1-59257-115-4
- Selgin, Peter (2007). By Cunning & Craft: Sound Advice and Practical Wisdom for fiction writers. Cincinnati, OH: Writer's Digest Books. p. 38. ISBN 978-1-58297-491-0.
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