Eduard Ender
In this article, Eduard Ender will be analyzed in detail, addressing its different facets, its impact on society and its relevance today. From its origins to its evolution over time, Eduard Ender has played a fundamental role in various aspects of daily life. Through a multidisciplinary approach, different perspectives will be explored that will allow us to better understand the importance and meaning of Eduard Ender today. Likewise, current trends related to Eduard Ender will be examined and its role in the future will be reflected on.
Eduard Ender (3 March 1822, Rome – 28 December 1883, London) was an Austrian painter.
He is the son of Johann Ender and is noted alike for his historical and genre works, among which are Francis I in the Studio of Cellini; Shakespeare Reading “Macbeth” before the Court of Elizabeth; La Corbeille de Mariage; and A Game of Chess, as well as a painting of the famous German scientist Alexander von Humboldt and his scientist travelling companion Aimé Bonpland. Humboldt did not like the painting, since the scientific instruments were not accurately depicted.
References
- ^ Andrea Wulf, The Invention of Nature: Alexander von Humboldt's New World. New York: Alfred A. Knopf 2015, caption on unnumbered color plate. Wulf does not identify the artist; she dates the picture as 1856.
- Rines, George Edwin, ed. (1920). . Encyclopedia Americana.
External links
Media related to Eduard Ender at Wikimedia Commons
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