In this article we will explore the fascinating life of Eduardo Galeano, a character who has left a significant impact on history. From his humble beginnings to his monumental achievements, Eduardo Galeano has proven to be an inspiring figure worthy of study. Through his dedication, passion and determination, Eduardo Galeano has left an indelible mark on the world, defying expectations and overcoming adversity. Throughout these pages, we will take a closer look at key moments in Eduardo Galeano's life and analyze his lasting legacy. Join us on this journey to learn more about the history and impact of Eduardo Galeano.
Eduardo Galeano | |
|---|---|
Eduardo Galeano in 2012 | |
| Born | Eduardo Germán María Hughes Galeano 3 September 1940 Montevideo, Uruguay |
| Died | 13 April 2015 (aged 74) Montevideo, Uruguay |
| Occupation | Writer, journalist |
| Spouse | Helena Villagra |
Eduardo Germán María Hughes Galeano (Spanish: [eˈðwaɾðo ɣaleˈano]; 3 September 1940 – 13 April 2015) was a Uruguayan journalist, writer and novelist considered, among other things, "a literary giant of the Latin American left" and "global soccer's pre-eminent man of letters".[1]
Galeano's best-known works are Las venas abiertas de América Latina (Open Veins of Latin America, 1971) and Memoria del fuego (Memory of Fire, 1982–6). "I'm a writer," the author once said of himself, "obsessed with remembering, with remembering the past of America and above all that of Latin America, intimate land condemned to amnesia."[2]
Author Isabel Allende, who said her copy of Galeano's book was one of the few items with which she fled Chile in 1973 after the military coup of Augusto Pinochet, called Open Veins of Latin America "a mixture of meticulous detail, political conviction, poetic flair, and good storytelling."[3]
Galeano was born in Montevideo, Uruguay, on 3 September 1940.[3][4] He was the son of Eduardo Hughes Roosen, an official at the Ministry of Livestock, Agriculture, and Fisheries and owner of a ranch in the Paysandú Department, and Licia Esther Galeano Muñoz.[5] He was of Welsh, Italian, German and Spanish descent.[6][7]
Coming from a prominent Uruguayan family, he was a descendant, through his maternal line, of Fructuoso Rivera, the first president of Uruguay, and, through his paternal line, of Leandro Gómez, a military leader recognized for his defense of the city of Paysandú during its siege in 1864.[8]
After completing two years of secondary school at Erwy School, Galeano went to work at age fourteen in various jobs, including messenger and fare collector.[9][7] He eventually landed at El Sol. The Uruguayan socialist weekly first published the teenager's comics prior to his writing. Galeano's passion for drawing continued throughout his life; his vignettes can be seen in many of his later books while his signature was often accompanied by a small hand-drawn pig.[10] As a journalist throughout the 1960s Galeano rose in prominence among leftist publications, and became editor of Marcha, an influential weekly with contributors such as Mario Vargas Llosa, Mario Benedetti, Manuel Maldonado Denis and Roberto Fernández Retamar. For two years he edited the daily Época and worked as editor-in-chief of the University Press. In 1959 he married his first wife, Silvia Brando, and in 1962, having divorced, he remarried to Graciela Berro.[11] He wrote under his maternal family name; as a young man, he briefly wrote for a Uruguayan socialist publication, El Sol, signing articles as "Gius," "a pseudonym approximating the pronunciation in Spanish of his paternal surname Hughes."[12]
In 1973, a military coup took power in Uruguay; Galeano was imprisoned and later was forced to flee, going into exile in Argentina where he founded the magazine Crisis.[13] His 1971 book Open Veins of Latin America was banned by the right-wing military government, not only in Uruguay, but also in Chile and Argentina.[14] In 1976 he married for the third time to Helena Villagra; however, in the same year, the Videla regime took power in Argentina in a bloody military coup and his name was added to the list of those condemned by the death squads. He fled again, this time to Spain,[15][10] where he wrote his famous trilogy, Memoria del fuego (Memory of Fire), described as "the most powerful literary indictment of colonialism in the Americas."[16]

At the beginning of 1985 Galeano returned to Montevideo when democratization occurred. Following the victory of Tabaré Vázquez and the Broad Front alliance in the 2004 Uruguayan elections marking the first left-wing government in Uruguayan history Galeano wrote a piece for The Progressive titled "Where the People Voted Against Fear" in which Galeano showed support for the new government and concluded that the Uruguayan populace used "common sense" and were "tired of being cheated" by the traditional Colorado and Blanco parties.[17] Following the creation of TeleSUR, a Latin American television station based in Caracas, Venezuela, in 2005 Galeano along with other left-wing intellectuals such as Tariq Ali and Adolfo Pérez Esquivel joined the network's 36 member advisory committee.[18]
On 10 February 2007, Galeano underwent a successful operation to treat lung cancer.[19] During an interview with journalist Amy Goodman following Barack Obama's election as President of the United States in November 2008, Galeano said: "The White House will be Barack Obama's house in the time coming, but this White House was built by black slaves. And I'd like, I hope, that he never, never forgets this."[20] At the 17 April 2009 opening session of the 5th Summit of the Americas held in Port of Spain, Trinidad and Tobago, Venezuelan President Hugo Chávez gave a Spanish-language copy of Galeano's Open Veins of Latin America to U.S. President Barack Obama, who was making his first diplomatic visit to the region.[21]
In a May 2009 interview he spoke about his past and recent works, some of which deal with the relationships between freedom and slavery, and democracies and dictatorships: "not only the United States, also some European countries, have spread military dictatorships all over the world. And they feel as if they are able to teach democracy". He also talked about how and why he has changed his writing style, and his recent rise in popularity.[22]
In April 2014 Galeano gave an interview at the II Bienal Brasil do Livro e da Leitura in which he regretted some aspects of the writing style in Las Venas Abiertas de América Latina, saying
"Time has passed, I've begun to try other things, to bring myself closer to human reality in general and to political economy specifically. 'The Open Veins' tried to be a political economy book, but I simply didn't have the necessary education. I do not regret writing it, but it is a stage that I have since passed."[23]
This interview was picked up by many critics of Galeano's work in which they used the statement to reinforce their own criticisms. However, in an interview with Jorge Majfud he said,
"The book, written ages ago, is still alive and kicking. I am simply honest enough to admit that at this point in my life the old writing style seems rather stodgy, and that it's hard for me to recognize myself in it since I now prefer to be increasingly brief and untrammeled. voices that have been raised against me and against The Open Veins of Latin America are seriously ill with bad faith."[24]
Las venas abiertas de América Latina (Open Veins of Latin America), a history of the region from the time of Columbus from the perspective of the subjugated people, is considered one of Galeano's best-known works. An English-language translation by Cedric Belfrage gained some popularity in the English-speaking world after Venezuelan President Hugo Chávez gave it as a gift to U.S. President Barack Obama in 2009.[25][26] Decades after its first publication, Galeano disavowed certain aspects of the book while still upholding many ideas embodied in it.[27]
Galeano was also an avid fan of football, writing most notably about it in Football in Sun and Shadow (El fútbol a sol y sombra).[4] In a retrospective for SB Nation after Galeano's death, football writer Andi Thomas described the work—a history of the sport, as well as an outlet for the author's own experiences with the sport and his political polemics—as "one of the greatest books about football ever written".[28]
Galeano died on 13 April 2015 in Montevideo[2][29] from lung cancer at the age of 74, survived by third wife Helena Villagra and three children.[30]
| Year | Spanish title | Spanish ISBN | Spanish Publisher | English translation |
|---|---|---|---|---|
| 1963 | Los días siguientes | Alfa | The following days | |
| 1964 | China | |||
| 1967 | Guatemala, país ocupado | Guatemala: Occupied country (1969) | ||
| 1967 | Reportajes | |||
| 1967 | Los fantasmas del día del león y otros relatos | |||
| 1968 | Su majestad el fútbol | |||
| 1971 | Las venas abiertas de América Latina | ISBN 950-895-094-3 | Siglo XXI | Open Veins of Latin America (1973) ISBN 0-85345-279-2[36] |
| 1971 | Siete imágenes de Bolivia | |||
| 1971 | Violencia y enajenación | |||
| 1972 | Crónicas latinoamericanas | |||
| 1973 | Vagamundo | ISBN 84-7222-307-8 | ||
| 1980 | La canción de nosotros | ISBN 84-350-0124-5 | ||
| 1977 | Conversaciones con Raimón | ISBN 84-7432-034-8 | ||
| 1978 | Días y noches de amor y de guerra | ISBN 84-7222-891-6 | Del Chanchito | Days and Nights of Love and War ISBN 0-85345-620-8 |
| 1980 | La piedra arde | |||
| 1981 | Voces de nuestro tiempo | ISBN 84-8360-237-7 | ||
| 1982–1986 | Memoria del fuego | ISBN 9974-620-05-8 | Del Chanchito | Memory of fire: Volume I: Eduardo Galeano (29 April 2014). Genesis. Open Road Media. ISBN 978-1-4804-8138-1. Volume II: Faces and Masks. ISBN 978-0-393-31806-7. |
| 1984 | Aventuras de los jóvenes dioses | ISBN 968-23-2094-1 | Siglo XXI | |
| 1985 | Ventana sobre Sandino | |||
| 1985 | Contraseña | |||
| 1986 | La encrucijada de la biodiversidad colombiana | |||
| 1986 | El descubrimiento de América que todavía no fue y otros escritos | ISBN 84-7668-105-4 | Editorial Laia | |
| 1988–2002 | El tigre azul y otros artículos | ISBN 959-06-0211-8 | Ciencias Sociales (Cuba) | |
| 1962–1987 | Entrevistas y artículos | Ediciones Del Chanchito | ||
| 1989 | El libro de los abrazos | ISBN 978-84-323-0690-7 | Siglo XXI | The Book of Embraces ISBN 0-393-02960-3 |
| 1989 | Nosotros decimos no | ISBN 84-323-0675-4 | Siglo XXI | |
| 1990 | América Latina para entenderte mejor | |||
| 1990 | Palabras: antología personal | |||
| 1992 | Ser como ellos y otros artículos | ISBN 978-84-323-0761-4 | Siglo XXI | |
| 1993 | Amares | ISBN 84-206-3419-0 | Alianza, España | |
| 1993 | Las palabras andantes | ISBN 9974-620-08-2 | Del Chanchito | |
| 1994 | Úselo y tírelo | ISBN 950-742-851-8 | Editorial Planeta | |
| 1995 | El fútbol a sol y sombra | ISBN 978-84-323-1134-5 | Siglo XXI | Football (soccer) in Sun and Shadow ISBN 1-85984-848-6 |
| 1998 | Patas arriba: Escuela del mundo al revés | ISBN 9974-620-14-7 | Macchi | Upside Down: A Primer for the Looking-Glass World 2000, ISBN 0-8050-6375-7 |
| 1999 | Carta al ciudadano 6.000 millones[37] | ISBN 84-406-9472-5 | Ediciones B | |
| 2001 | Tejidos. Antología | ISBN 84-8063-500-2 | Ediciones Octaedro | |
| 2004 | Bocas del tiempo | ISBN 978-950-895-160-1 | Catálogos Editora | Voices of time: a life in stories ISBN 978-0-8050-7767-4 |
| 2006 | El viaje | ISBN 84-96592-55-3 | ||
| 2007 | Carta al señor futuro | |||
| 2008 | Patas Arriba: La escuela del mundo del revés | ISBN 950-895-050-1 | Catálogos Editora | |
| 2008 | Espejos | ISBN 978-987-1492-00-8 | Siglo XXI | Mirrors: Stories of Almost Everyone 2009, ISBN 1-56858-423-7 |
| 2008 | La resurrección del Papagayo | ISBN 978-84-92412-22-8 | Libros del Zorro Rojo | |
| 2011 | Los hijos de los días | ISBN 978-987-629-200-9 | Siglo XXI | Children of the Days: A Calendar of Human History ISBN 978-1-56858-747-9 |
| 2015 | Mujeres – antología | ISBN 978-84-323-1768-2 | Siglo XXI | [38] |
| 2016 | El cazador de historias | ISBN 978-987-629-628-1 | Siglo XXI | Hunter of Stories 2017, ISBN 978-1-56858-990-9 |
| 2017 | Cerrado por fútbol | Siglo XXI |
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