In today's world, Eight Plus is a topic that generates great interest and debate in society. From its origins to the present, Eight Plus has been a point of reference and discussion in different areas, from politics to culture. Its impact has been such that it has left an indelible mark on history, and its relevance endures to this day. In this article, we will explore the various facets of Eight Plus, from its most controversial aspects to its positive contributions. We will analyze its influence in different areas and how it has shaped the world in which we live. Without a doubt, Eight Plus continues to be a topic of great importance and its study is essential to understand today's society.
| Eight Plus | ||||
|---|---|---|---|---|
| Studio album by The Ron Carter Nonet | ||||
| Released | 1990 | |||
| Recorded | April 9 & 11, 1990 | |||
| Studio | Van Gelder Studio, Englewood Cliffs, NJ | |||
| Genre | Jazz | |||
| Length | 54:26 | |||
| Label | Victor VICJ-35 | |||
| Producer | Ron Carter | |||
| Ron Carter chronology | ||||
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Eight Plus is an album by bassist Ron Carter's Nonet recorded in 1990 and originally released on the Japanese Victor label.[1]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic | |
The AllMusic review by Rick Anderson observed "On this album he heads a fairly standard quintet that features two significant innovations: Carter himself plays a half-size piccolo bass and the quintet is further augmented by three cellists. Is the experiment a success? For the most part, yes. ... The cellos are a nice touch, and their chordal accompaniments give Carter's compositions an unusual and pleasing texture".[2] On All About Jazz, Mark F. Turner stated "Mr. Carter adds a twist by featuring his skills on the piccolo bass. Combine a quartet of cellos with a horn-less jazz quintet, and the compositions stretch far beyond the typical jazz environment ... For a Nonet recording of a slightly different breed, Eight Plus is worth a listen"[3] while C. Michael Bailey said "The music sounds like hip chamber music. The cellos are not so much plush in their effect as they are percussive and rhythmic. They do provide a dense fullness to the music ... This disc is an acquired taste, but like fine Scotch whiskey, it's a taste that is more than worth developing".[4]
All compositions by Ron Carter except where noted