_Hello all readers, today we are going to talk about Eliades Ochoa. This is a very broad and relevant topic today, covering a wide variety of aspects ranging from _aspect1 to _aspect2. Eliades Ochoa is a very influential figure in the _tema1 field and his legacy has left its mark on _tema2. Throughout history, Eliades Ochoa has been the object of controversy and admiration, generating debates and reflections that have transcended time. Therefore, it is important to delve into its origins, impact and meaning, to better understand its importance in _tema3 and _tema4. In this article we will explore the different nuances of Eliades Ochoa and how it has marked a before and after in _tema5. Stay tuned for the following lines to discover more about this exciting topic._
Eliades Ochoa | |
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Background information | |
Born | Songo – La Maya, Cuba | 22 June 1946
Genres | Cuban Son, Cuban Trova, Latin jazz, salsa |
Occupation(s) | Musician, songwriter, record producer |
Instrument(s) | Vocals, guitar, tres |
Years active | 1978–present |
Website | http://www.eliadesochoaofficial.com/ |
Eliades Ochoa Bustamante (born 22 June 1946) is a Cuban guitarist and singer from Loma de la Avispa, Songo La Maya in the east of the country near Santiago de Cuba.
He began playing the guitar when he was six and in 1978 he was invited to join Cuarteto Patria, a group founded in 1939, as its leader. Although he looks like a guajiro, and he still wears his trademark cowboy hat, his roots are in the son, and he only agreed to take on the role of leader if he was allowed to introduce new elements to the repertoire. He plays the guitar, tres and also a variant of the guitar, with two additional strings. His involvement with the Buena Vista Social Club and the Wim Wenders film of the same name (1999), has led him to worldwide fame.
In 2010 he recorded an album with a number of Cuban and Malian musicians, including Toumani Diabaté, titled AfroCubism.