In today's world, Elle, lui et l'autre.... is a topic that has become increasingly relevant. From its origins to its impact on today's society, Elle, lui et l'autre.... has been a topic of constant interest and debate. Its implications cover different areas, from science and technology to culture and politics. Throughout history, Elle, lui et l'autre.... has left an indelible mark on humanity, marking milestones and revolutionizing different aspects of daily life. In this article, we will thoroughly explore the importance of Elle, lui et l'autre...., as well as its different facets and its influence on today's society.
This article relies largely or entirely on a single source. (February 2019) |
Elle, lui et l'autre.... | ||||
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Studio album by | ||||
Released | 1960 | |||
Recorded | 1959–1960 | |||
Genre | Jazz, Pop, Exotica, Easy listening | |||
Dalida chronology | ||||
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Elle, lui et l'autre.... is the ninth studio album by Egyptian-French vocalist Dalida. It was released in 1960. It was her second released exclusively to the Canadian public.
In the two years prior to the release, Dalida released twelve songs, among which are her international hits "T'aimer follement", "Romantica", "Itsi bitsi petit bikini", "O sole mio" and "Les enfants du Pirée".
The album yielded the successful song "Elle lui et l'autre", which topped Canadian charts, and "Bras dessus, bras dessous," which became the theme song of the eponymous Canadian TV show.