In this article, we will analyze the role of Emmanuel Baptist Church (Brooklyn) in today's society and explore its impact on different aspects of everyday life. From Emmanuel Baptist Church (Brooklyn) as a public figure to his influence on topics such as technology, economics and popular culture, we will delve into his relevance in diverse contexts. We will also examine how Emmanuel Baptist Church (Brooklyn) has evolved over time and how its presence remains significant today. Through this analysis, we will seek to better understand the role that Emmanuel Baptist Church (Brooklyn) plays in the contemporary world and its importance in individual and collective experiences.
Emmanuel Baptist Church | |
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40°41′18″N 73°57′54″W / 40.6884°N 73.9651°W | |
Location | Brooklyn, New York |
Country | USA |
Denomination | American Baptist Churches USA |
Website | ebcconnects.com |
History | |
Founded | 1881 |
Architecture | |
Architect(s) | Francis H. Kimball |
Style | Gothic Revival |
Years built | 1887 |
Clergy | |
Senior pastor(s) | Anthony L. Trufant |
Emmanuel Baptist Church is a Baptist megachurch in the Clinton Hill neighborhood of Brooklyn, New York, on the northwest corner of Lafayette Avenue and St. James Place, affiliated with the American Baptist Churches USA. The attendance is 2,200 people. The senior pastor is Anthony L. Trufant.
The congregation was established around 1882 with 194 members that had broken from the Washington Avenue Baptist Church (Brooklyn, New York). The Emmanuel congregation commissioned architect E. L. Roberts, the architect of the Washington Avenue Baptist Church, to build them a small, Gothic-style, two-story interim chapel on St. James Place (1882–1883)." Fund raising for the permanent church began in 1884.
It was built 1887 to designs by architect Francis H. Kimball in the Gothic Revival style "as a synthesis of the cathedral type and the Baptist preaching church." It is considered one of Kimball's finest designs. It was listed on the National Register of Historic Places in 1977. The church building was opened on April 17, 1887. Architectural critic Montgomery Schuyler praised it as "a very rich scholarly and well considered design." The most conspicuous design feature of the interior was the central font.
In 2017, the attendance was 2,200 people.