In today's world, Ernst Lissner is a topic that has become increasingly relevant. Over the years, Ernst Lissner has generated great interest in society, sparking debates, research and different positions around this issue. It is evident that Ernst Lissner has impacted our lives in some way, whether on a social, cultural, economic or personal level. For this reason, it is important to thoroughly analyze and understand the implications and consequences that Ernst Lissner brings with it, as well as to be aware of the trends and advances that are developing in relation to this topic. In this article we will explore various perspectives and approaches on Ernst Lissner, with the aim of providing a complete and enriching overview that allows the reader to delve deeper into this topic.
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Ernst-Johann Nicholas Ernestovich Lissner (1874–1941) was a Russian painter and graphic artist, owner of a private art studio and the printing press "E. Lissner and J. Roman" in Moscow. He is best known by a series of historical paintings and lithographs devoted to the Polish–Muscovite War (1605–1618) and the Seven Years' War.
Lissner was born in the family of the merchant Ernest-Konstantin Antonovich Lissner (1837 – after 1897), who came from the Russified Austrian nobility. His father owned a well-known printing house on the Arbat, in which prestigious orders were executed.
Between 1900 and 1908 he studied at the Imperial Academy of Fine Arts in Saint Petersburg. His graduate work was a painting named Greetings to you, heroes of labor. From 1909 he participated in Art exhibitions, being an exhibitor and member of various associations of visual artists and art societies, such as the Society for Travelling Art Exhibitions, the Society of Artists Free Arts (1911–1918), and others.
After the October Revolution of 1917 and the Russian Civil War, Lissner continued to work as painter, and also actively took part in the turbulent social and artistic life of the first decade of the Soviet Union. In the 1920s he became a member of Moscow groups and associations of soviet artists, such as Art to working people (1925–1928), Wing (1926–1928), and the Repin Society of painters (1924–1929).