FICCO

Today, FICCO is a topic that arouses great interest in society. With the advancement of technology and globalization, FICCO has become a fundamental element in people's lives. Its impact ranges from the economy, politics, culture, to the daily life of each individual. In this article we will explore the various facets of FICCO and how it has changed over time. From its origins to its relevance in today's world, FICCO is a topic that will continue to generate debate and controversy in the near future.

Festival Internacional de Cine Contemporáneo
LocationMexico City
Founded2004
Hosted byCinemax

Mexico City International Contemporary Film Festival, or FICCO (Festival Internacional de Cine Contemporáneo) for its initials in Spanish was an annual film festival founded by film producers Michel Lipkes and Paula Astorga in February 2004. The festival ran for seven years, ending in 2010 and reopened in 2014 for Narrative only Film.

It quickly become one of the most important film festivals in Latin America. It was hosted by Cinemex, one of the two dominant movie theater chains in Mexico. It lasted two weeks and programmed sections on documentary features, fiction, worldwide premieres, retrospectives, and global tendencies in cinema. The jury was composed of important figures of the film industry worldwide.

In 2007 it programmed documentary retrospectives on Peter Watkins and Peter Whitehead, and a retrospective on Robert Bresson and Pedro Costa.

Awards

FICCO-Cinemex Award for Best Narrative Film

FICCO-Cinemex Award for Best Documentary Film

Best Latin American Film

FICCO-Movie City Award for Best Debut Film

  • 2009 - Cómo estar muerto/Como estar muerto - Manuel Ferrari and The Pleasure of Being Robbed - Joshua Safdie

Pfizer Human Rights Award

  • 2009 -Access Road - Nathalie Mansoux

Exxonmobil Award for Best Female Director

Best Mexican Digital Film

  • 2009 - Calentamiento local - Fernando Frías

Fipresci Award for Best Mexican Documentary Film

See also

References

  1. ^ a b Cinémas d'amerique latine. 2009. pp. 55–58. ISSN 1267-4397.
  2. ^ Eduardo A. Russo (2010). The Film Edge. Teseo. p. 16. ISBN 987-1354-71-1.