The topic of Filmworks XVII: Notes on Marie Menken/Ray Bandar: A Life with Skulls is of great interest to a wide spectrum of individuals and professionals, since it has significant implications and repercussions in various areas. From its impact on health, to its influence on the economy, to its consequences on the environment, Filmworks XVII: Notes on Marie Menken/Ray Bandar: A Life with Skulls is a topic that deserves special attention and that can provide valuable perspectives to better understand the world around us. In this article, we will delve into the many facets of Filmworks XVII: Notes on Marie Menken/Ray Bandar: A Life with Skulls and explore its dimensions in depth, with the aim of providing a comprehensive and complete vision of this very relevant topic.
| Filmworks XVII: Notes on Marie Menken/Ray Bandar: A Life with Skulls | ||||
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| Soundtrack album by | ||||
| Released | 2006 | |||
| Genre | avant-garde, jazz, classical | |||
| Length | 57:18 | |||
| Label | Tzadik TZ 7535 | |||
| Producer | John Zorn | |||
| John Zorn's Filmworks chronology | ||||
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| John Zorn chronology | ||||
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Filmworks XVII: Notes on Marie Menken/Ray Bandar: A Life with Skulls features scores by John Zorn for two documentary films. The album was released on Zorn's own label, Tzadik Records, in 2006 and contains music that Zorn wrote and recorded for, Notes on Marie Menken (2006), directed by Martina Kudláček and a percussion score for Ray Bandar: A Life with Skulls directed by Beth Cataldo.[1]
The Allmusic review by Thom Jurek awarded the album 4 stars stating "it goes through a whirling, dizzying, surreal journey in adventure, exotica, and interior travel. Highly recommended".[2]
| Review scores | |
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| Source | Rating |
| Allmusic | |