Franco Rosso's theme is one that has captivated humanity's attention over the years. Since time immemorial, Franco Rosso has been a cause for reflection, debate and study. Its influence extends to different areas of life, affecting society, science, culture, history and politics, among others. In this article, we will explore the many facets of Franco Rosso, analyzing its impact on today's world and its relevance in the development of humanity. From its origins to its evolution today, we will immerse ourselves in a fascinating journey through the history and present of Franco Rosso.
Franco Rosso | |
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Born | |
Died | 9 December 2016 | (aged 75)
Education | Camberwell School of Art Royal College of Art |
Occupation(s) | Film producer and director |
Notable work | Babylon (1980) |
Franco Rosso (29 August 1941 – 9 December 2016) was an Italian-born film producer and director based in England. He is known for making films about Black British culture, and in particular for the 1980 cult film Babylon, about Black Jamaican youth in south London, which was backed by the National Film Finance Corporation.
Rosso was born in Turin, Piedmont, Italy, but grew up in London, where his parents (who had been Fiat workers in Turin) brought him when he was aged eight. After attending comprehensive school in Battersea, Rosso went on to Camberwell School of Art and the Royal College of Art (at which he was a contemporary of Ian Dury).
He was assistant on Ken Loach's 1969 film Kes, and Rosso's subsequent career as a filmmaker encompassed feature films, as well as television documentaries and series, working as an editor, producer, director and writer. Following early productions at the Royal College of Art, Rosso made his notable directorial debut with the documentary The Mangrove Nine, about the resistance to police attacks on the popular Mangrove restaurant in the early 1970s, scripted by John La Rose and narrated by Andrew Salkey. According to Martin Stellman's obituary of Rosso, The Mangrove Nine film was "so uncompromising in its portrayal of police racism that the BBC delayed its transmission. For several years afterwards, Rosso could not get work with the corporation and firmly believed he had been blacklisted."
In 1981, Rosso won an Evening Standard Award for Most Promising Film-Maker for his drama Babylon, which was called by New Britain fanzine "one of the best British films ever made, not just one of the best 'Black' or 'Youth' films".