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Franz Koglmann

In today's world, Franz Koglmann has become a topic of great relevance and interest to people in different areas of society. From the academic field to the workplace, Franz Koglmann has generated debates, reflections and analyzes that have influenced the way we make decisions, relate to others and perceive the world around us. In this article, we will explore different perspectives and opinions about Franz Koglmann, with the aim of offering a comprehensive and balanced view on this complex and fascinating topic.

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Franz Koglmann
Background information
Born (1947-05-22) 22 May 1947 (age 78)
GenresAvant-garde jazz
Chamber jazz
Third Stream
OccupationsComposer
Trumpet player
InstrumentsTrumpet, flugelhorn

Franz Koglmann (born 22 May 1947)[1] is an Austrian jazz composer. He performs on both the trumpet and flugelhorn in most often in avant-garde jazz and third stream.[1] An award-winning composer, Koglmann has performed or recorded with Lee Konitz, Paul Bley, Bill Dixon, Georg Gräwe, Andrea Centazzo, Theo Jörgensmann, Wolfgang Reisinger, Enrico Rava, Yitzhak Yedid, Ran Blake, and John Lindberg;[2] together with the bassist Peter Herbert he has often musically accompanied works of the Austrian artist Heidi Harsieber.[3]

When the Romanian town of Sibiu commissioned Koglmann to write a piece, he brought together bits from Haydn's 27th symphony with a tape recording of Sibiu native Emil Cioran philosophisizing. In 2003, he received the highest Austrian jazz award, the Hans Koller Prize, in the category Album of the Year.[4]

Discography

As leader

  • Franz Koglmann (1973). Flaps. Pipe.
  • Franz Koglmann (1977). Opium for Franz. Pipe.
  • Franz Koglmann (1984). Schlaf Schlemmer, Schlaf Magritte. hatART.
  • Franz Koglmann (1986). Ich. hatART.
  • Franz Koglmann (1990). Orte Der Geometrie. hatART.
  • Franz Koglmann Pipetet (1990). The Use of Memory. hatART.
  • Franz Koglmann (1990). A White Line. hatART.
  • L'Heure Bleue (hatART, 1991)
  • Franz Koglmann (1995). Cantos I-IV. hatHUT.
  • Franz Koglmann (1997). O Moon My Pin-Up. hatOLOGY.
  • Franz Koglmann (1999). Make Believe. Between the Lines.
  • Franz Koglmann & Monoblue Quartet (2000). An Affair with Strauss. Between the Lines.
  • Franz Koglmann (2001). Don't Play, Just Be. Between the Lines.
  • Franz Koglmann (2001). Venus In Transit. Between the Lines.
  • Franz Koglmann (2003). Fear Death By Water. Between the Lines.
  • Franz Koglmann (2005). Let's Make Love. Between the Lines.
  • Franz Koglmann (2007). Nocturnal Walks
  • Franz Koglmann (2019). Fruits of Solitude. Between the Lines.

As collaborator

References

  1. ^ a b Colin Larkin, ed. (1992). The Guinness Who's Who of Jazz (First ed.). Guinness Publishing. p. 244. ISBN 0-85112-580-8.
  2. ^ Layne, Joslyn. "Franz Koglmann Biography, Songs, & Albums". AllMusic. Retrieved 27 September 2023.
  3. ^ "Ausstellung/Performance von Franz Koglmann und Peter Herbert zu Heidi Harsieber's 'trash'" [Exhibition/Live Performance by Franz Koglmann and Peter Herbert for Heidi Harsieber's 'trash']. Austrian Cultural Forum Mexico (in German). Retrieved 2023-11-05.
  4. ^ "Hans Koller Preis 2003". jazzinaustria.at. 2003-12-03. Archived from the original on September 5, 2012. Retrieved March 6, 2012.