Future Music
In this article we are going to delve into the topic of Future Music, a relevant aspect that has sparked interest in various areas of society. Future Music is a topic that has sparked debate and reflection in different contexts, since its impact and influence extend to every aspect of our daily lives. Along these lines, we will analyze the different aspects related to Future Music, from its origin and history to its relevance today. In addition, we will explore its possible implications and consequences, as well as the different positions and opinions on the matter. Without a doubt, Future Music is a topic that does not leave anyone indifferent and that deserves to be addressed from a broad and critical perspective.
 | |
| Categories | Music |
|---|---|
| Frequency | Monthly |
| Publisher | Future plc |
| First issue | November 1992 |
| Country | United Kingdom |
| Language | English |
| Website | futuremusic.co.uk |
Future Music (stylised as FutureMusic) is a monthly magazine published by Future plc in the UK. It was founded in 1992 and is aimed primarily at record producers working in the electronic music field.
Future Music includes hardware and software reviews, tutorials, royalty-free samples and loops, and music by electronic artists. The magazine also has reviews of commercial releases within the electronic genre, regularly naming its "Album of the Month". Interviewees have included Aphex Twin, Grimes and Gary Numan, who appeared on the cover of the first issue. Future Music content has been reprinted by outlets including The Fader, Amiga Format and Loopmasters.
The journalist and broadcaster Dave Haslam characterised Future Music as "a specialist mag for techno boffins". Matt Feeney in The Lance recommended the publication as one of the best within electronic music, saying, "Future Music magazine is... intended not so much for the fans of electronic music as it is for the artists themselves."
References
- ^ a b Feeney, Matt (3 December 2002). "Beat Juice: The Lit". The Lance. p. 12.
- ^ Baker, Sarah; Bennett, Andy; Taylor, Jodie (2013). Redefining Mainstream Popular Music. Taylor & Francis. p. 141. ISBN 9781136465307.
- ^ Pirkle, Will C (2014). Designing Software Synthesizer Plug-Ins in C++. Routledge. p. 553. ISBN 978-1138787070.
- ^ Strong, Martin C (2002). The Great Scots Musicography. Mercat Press. p. 403. ISBN 978-1841830414.
- ^ Jones, Tom (January 2020). "Les Amazones d'Afrique - Amazones Power". Future Music. No. 352. p. 25.
- ^ Robinson, Dave (April 1993). "The Aphex Effect". Future Music. No. 6. pp. 21–23.
- ^ a b Leight, Elias (28 October 2015). "Grimes Breaks Down Her Recording Process In Future Music Magazine". The Fader. Retrieved 13 March 2022.
- ^ Robinson, Dave (November 1992). "The Numan factor". Future Music. No. 1. pp. 24–27.
- ^ Nuttall, Andy (1993). "The times they are a-changin'". Amiga Format. The Annual: '93. pp. 104–105.
- ^ "Artisan Audio - Sentience - Dark Ambient - Future Music Magazine Review". Loopmasters. Retrieved 13 March 2022.
- ^ Haslam, Dave (2002). Adventures on the Wheels of Steel: The Rise of the Superstar DJs. Fourth Estate. pp. 118–119. ISBN 9781841154336.
External links