Gaqo Çako
In today's article we will explore Gaqo Çako, a topic that has gained great relevance in recent years. Gaqo Çako has captured the attention of experts and enthusiasts alike, generating discussions and debates in various fields. From its impact on industry to its implications on society, Gaqo Çako has become a point of interest for those who want to better understand the world around us. Throughout this article, we will closely examine the many facets of Gaqo Çako, analyzing its evolution over time and its influence in different contexts. Prepare to embark on an exciting journey of discovery and reflection about Gaqo Çako.
Gaqo Çako | |
|---|---|
| Born | 24 January 1935 |
| Died | 1 August 2018 (aged 83) Tirana, Albania |
| Genres | Classical music, light music |
| Occupation | Tenor |
| Years active | 1961–2004 |
Gaqo Çako (24 January 1935 – 1 August 2018) was an Albanian operatic tenor, awarded with the People's Artist of Albania title. He has been ranked among the best opera singers of Albania, along with Ramiz Kovaçi and Mentor Xhemali.[1]
Career
Çako was born in 1935 in Korçë, southern Albania, where he spent his early childhood. His family then moved to Kuçovë, and eventually he enrolled in the Jordan Misja Artistic Lyceum in Tirana.[2] Çako studied during 1957–1961 in the Moscow Conservatory under Anna Soloviova. In 1961, after returning to Albania, he started to work at the National Theatre of Opera and Ballet of Albania, where he would become the leading tenor for the three ensuing decades. He also pursued a specialization degree in the 1960s at the Accademia Nazionale di Santa Cecilia, in Rome, Italy. In his career, he performed lead singing roles in Bellini's Norma, Verdi's La traviata and Rigoletto, and Puccini's La bohème, among others. He appeared in operas by Albanian composers, such as Mrika by Prenkë Jakova, Lulja e kujtimit (transl. The flower of Memory) by Kristo Kono, Pranvera (transl. The spring) by Tish Daija, Heroina (transl. The heroines) by Vangjo Nova, Skënderbeu (transl. Skanderbeg) by Prenkë Jakova, Bijtë e Skënderbeut (transl. Skanderbeg's sons) by Abdulla Grimci, Komisari (transl. The commissary) by Nikolla Zoraqi, Zgjimi (transl. The rise) by Tonin Harapi, and Toka e jonë (transl. Our land), by Pjetër Gaci. He was well known on Italian stages as well.[1]
Although Çako was an opera tenor, he became popular through 28 participations at the Festivali i Këngës,[1][3][4] and won first prizes in the 1967, 1970, and 1978 editions.[citation needed]
Personal life
Çako's wife, Luiza Papa, was a notable opera singer. Their only son, Pirro Çako, is a singer as well. Gaqo Çako was father-in-law of international soprano Inva Mula, daughter of composer Avni Mula, until Pirro and Inva divorced.[5]
References
- ^ a b c Ruci, Klara (2 August 2018). "Farewell to Albanian great tenor Gaqo Çako". Radio Tirana International. Archived from the original on 3 August 2018. Retrieved 2 August 2018.
- ^ Fakti Ditor (2 August 2018). "I jepet lamtumira e fundit simbolit të operas dhe muzikës shqiptare, Gaqo Çako" (in Albanian). Retrieved 3 August 2018.
- ^ Vrapi, Julia (3 August 2018). "Gaqo Çako: Kënga shqiptare po harrohet, as krijuesit nuk po shkruajnë e as këngëtarët nuk po këndojnë shqip" (in Albanian). Sot. Retrieved 3 August 2018.
- ^ TV Klan (1 August 2018). "Ndahet nga jeta artisti i mirënjohur Gaqo Çako" (in Albanian). Retrieved 2 August 2018.
- ^ Nikolli, Fatmira (3 August 2018). "Gaqo Çako: Marrëdhënia me familjen Mula dhe historia e njohjes me bashkëshorten" (in Albanian). Balkanweb. Retrieved 3 August 2018.
