Georges Robin
In this article we will delve into the fascinating world of Georges Robin, exploring its multiple dimensions and its impact on everyday life. From its origin to its evolution over time, Georges Robin has been the object of interest and study in various disciplines. We will analyze its relevance in the current context, as well as the different perspectives that exist around this topic. Through a multidisciplinary approach, we will seek to shed light on little-known aspects of Georges Robin, with the aim of offering a broad and enriching vision on this topic of general interest.
Georges Robin (1904–1928), also known as Jorj Robin, was a sculptor and designer from Nantes.
Robin was a member of the Breton nationalist art movement Seiz Breur, working at the magazine Kornog, founded by the movement's leader René-Yves Creston. He created sculptures and embroidery designs for the workshop Nadoziou (needles) based in Nantes.
With other members of Seiz Breur he took part in the founding of the Nantes Celtic Circle, lending his design studio for its classes in the Breton language. He also created a project for a Breton language choir.
After his early death at the age of 24, he was commemorated in a special edition of the journal Keltia, written by Creston and Paul Ladmirault.
References
- ^ René-Yves Creston, Paul Ladmirault - Jorj Robin skulter vrezon, e vuhez, e ober. Jorj Robin sculpteur breton, sa vie, son œuvre, Unvaniez ar Seiz-Breur, Plaquette commémorative éditée pour Keltia "Cahiers Interceltiques d'Art et de Littérature" en 1931.
| International | |
|---|---|
| National | |
| Other | |
