Gesellschaft der Musikfreunde

In today's world, Gesellschaft der Musikfreunde is a topic that captures the attention of millions of people around the world. Since its emergence, Gesellschaft der Musikfreunde has been the subject of debate, controversy and study, generating constant interest in different areas. Whether due to its relevance in society, its impact on the economy or its influence on popular culture, Gesellschaft der Musikfreunde has become a topic of great importance and significance. In this article, we will explore in depth the different facets of Gesellschaft der Musikfreunde, analyzing its evolution over time and examining its impact on various aspects of everyday life.

The Great Hall of the Musikverein
First concert in 1812, Alexander's Feast
Musikverein building (1831–1870) on Tuchlauben street

The Gesellschaft der Musikfreunde in Wien (German for 'Society of Friends of Music in Vienna'), also known as the Wiener Musikverein (German for 'Viennese Music Association'), is an Austrian music organization that was founded in 1812 by Joseph Sonnleithner, general secretary of the Court Theatre in Vienna, Austria.

Overview

Its official charter, drafted in 1814, stated that the purpose of the Gesellschaft was to promote music in all its facets. In early 1818, Franz Schubert was rejected for membership in the Gesellschaft as a professional musician, something that might have furthered his musical career.

The Gesellschaft accomplished its goals by sponsoring concerts, founding the Vienna Conservatory in 1819, founding the Wiener Singverein in 1858, constructing the Musikverein building in 1870, and by systematically collecting and archiving noteworthy music-history documents. It is now one of the world's leading music archives.

The first music director of the Gesellschaft was Carl Heissler, who was followed by Anton Rubinstein (appointed in 1871) and Johannes Brahms (appointed in 1872). Other notable music directors include Wilhelm Furtwängler, Herbert von Karajan and Gustav Mahler. Membership in the Gesellschaft has included a who's who of notable 19th- and 20th-century musical figures, including composers, conductors and instrumentalists.

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