Glass Chain

The topic of Glass Chain is one that has generated interest and debate over time. Since its origins, Glass Chain has captured the attention of academics, experts, and hobbyists alike. In the following article, we will explore in detail the most relevant aspects of Glass Chain, addressing its importance, evolution and impact in different areas. Through exhaustive analysis, we will seek to provide a comprehensive view of Glass Chain, with the intention of shedding light on its impact on contemporary society. Without a doubt, Glass Chain is a topic that deserves to be thoroughly investigated, and through this article, we aim to do just that.

The Glass Chain or Crystal Chain sometimes known as the "Utopian Correspondence" (German: Die Gläserne Kette) was a chain letter that took place between November 1919 and December 1920. It was a correspondence of architects that formed a basis of expressionist architecture in Germany. It was initiated by Bruno Taut.

Names, pen-names, and locations of participants

Name pen-name location
Wilhelm Brückman Brexbach Emden
Hermann Finsterlin Prometh Stuttgart
Paul Gösch Tancred Berlin
Jakobus Göttel Stellarius Cologne
Walter Gropius Maß Weimar
Wenzel Hablik W.H. Itzehoe
Hans Hansen Antischmitz Cologne
Carl Krayl Anfang Tuttlingen
Wassili Luckhardt Zacken Berlin
Hans Luckhardt Angkor Berlin
Hans Scharoun Hannes Insterburg
Bruno Taut Glas Berlin
Max Taut No Name Berlin

Bibliography

  • Sharp, Dennis (1966). Modern Architecture and Expressionism. George Braziller: New York.
  • Whyte, Iain Boyd ed. (1985). Crystal Chain Letters: Architectural Fantasies by Bruno Taut and His Circle. The MIT Press. ISBN 0-262-23121-2
  • Benson, Timothy. O.; Dimenberg, Edward; et al. (2001-09-17). Expressionist Utopias: Paradise, Metropolis, Architectural Fantasy (Weimar and Now: German Cultural Criticism). University of California Press. ISBN 0-520-23003-5.

External links